"Dancing with You" by Alexander Rudd had its release date on October 24, 2016. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Dancing with You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Nostalgic Piano". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Dancing with You is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dancing with You by Alexander Rudd having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Impossible Crime | Nathan Klein, F. Keane | C Minor | 4 | 5A | 183 BPM | ||
| Over Havet | Halfdan E, Tallinn's Finest Sinfonietta | G Minor | 1 | 6A | 60 BPM | ||
| Ruse de Guerre | Chris Benstead, The Chamber Orchestra Of London, Tom Kilworth, Thomas Gould | D Major | 5 | 10B | 120 BPM | ||
| Anna Regina | Debbie Wiseman | G Minor | 1 | 6A | 115 BPM | ||
| Hyper Galaxy | Terry Devine-King | E Major | 5 | 12B | 148 BPM | ||
| Martin Vs. Martin | John Ottman, Alexander Rudd | D♭ Major | 2 | 3B | 119 BPM | ||
| Refined Enlightenment | Howard Harper-Barnes | G Minor | 3 | 6A | 160 BPM | ||
| Nice To Meet You | John Ottman, Alexander Rudd | E Minor | 0 | 9A | 60 BPM | ||
| Prime Suspect | Gabriel Saban | F Minor | 5 | 4A | 120 BPM | ||
| Ticking Clocks | Universal Production Music | B Minor | 3 | 10A | 156 BPM | ||
| She's Been Right By Everything Else | Hannes De Maeyer, Ruben de Gheselle | E Minor | 1 | 9A | 115 BPM | ||
| The Foundation | Bear McCreary, Sparks & Shadows | C Minor | 2 | 5A | 83 BPM | ||
| Nothing Is Impossible | Alexander Rudd, Zach Lemmon | B Minor | 7 | 10A | 153 BPM | ||
| The Shadow Line | Alexander Rudd | D Minor | 2 | 7A | 67 BPM | ||
| Once in a Life | Howard Harper-Barnes | D♭ Major | 1 | 3B | 81 BPM | ||
| Welcome To Berlin | John Ottman, Alexander Rudd | B Minor | 5 | 10A | 117 BPM | ||
| Pieces of Wood: I | Oliver Davis, Royal Philharmonic Orchestra, Julian Kershaw, Kerenza Peacock | E♭ Major | 0 | 5B | 74 BPM | ||
| Strange Waves | Alexander Rudd | D♭ Minor | 9 | 12A | 133 BPM | ||
| Firedove | Julie Cooper, Anna Lapwood, Elena Urioste, The Chapel Choir of Pembroke College, Cambridge | B♭ Major | 2 | 6B | 92 BPM | ||
| Serious Business | Patrick Thomas Hawes | A Minor | 3 | 8A | 112 BPM | ||
| Gerry's Letter | Anne Nikitin | G Minor | 1 | 6A | 60 BPM | ||
| Sorrow | Akihiro Manabe | G Minor | 1 | 6A | 60 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| Determination | Patrick Thomas Hawes | D Major | 4 | 10B | 80 BPM | ||
| The Secret Spring | Helmut Schenker | F Minor | 3 | 4A | 110 BPM |