"The Avenged" by Fringe Element had its release date on October 20, 2017. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. The Avenged's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Onyx". In this album, this song's track order is #9. In terms of popularity, The Avenged is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Avenged by Fringe Element having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Line in the Sand | Berend Salverda | C Minor | 6 | 5A | 125 BPM | ||
| Black Rose | J.T. Peterson | B♭ Minor | 2 | 3A | 125 BPM | ||
| Unite Us | Fringe Element | B Minor | 7 | 10A | 152 BPM | ||
| Soul Searcher | Tom Player | D Minor | 4 | 7A | 75 BPM | ||
| A Future Of A Thousand Stars | Mitchell Broom | G Minor | 3 | 6A | 113 BPM | ||
| On The Nature Of Daylight | Suprhot, Ole Wiedekamm, Max Ackermann | D♭ Major | 2 | 3B | 138 BPM | ||
| Redemption | Zack Hemsey | E Minor | 7 | 9A | 136 BPM | ||
| IGNIS | Iliya Zaki | C Minor | 5 | 5A | 141 BPM | ||
| Beyond | Ghostwriter | D Major | 5 | 10B | 85 BPM | ||
| Airlock | Berend Salverda | E Minor | 6 | 9A | 100 BPM | ||
| Summit | Hannah Parrott | G Major | 2 | 9B | 120 BPM | ||
| Takedown | Tom Player | A♭ Major | 4 | 4B | 145 BPM | ||
| The Beginning of Everything | Brian Delgado | C Minor | 5 | 5A | 66 BPM | ||
| Farewell to Memory | EpicTracks | A Minor | 4 | 8A | 67 BPM | ||
| Vanquished | Fringe Element | D♭ Major | 6 | 3B | 93 BPM | ||
| Blackfyre | Epic Score, Snorre Tidemand | C Minor | 8 | 5A | 80 BPM | ||
| Sound of War | MythFox | A Minor | 4 | 8A | 159 BPM | ||
| End of the Line | Sami J. Laine | D♭ Major | 6 | 3B | 111 BPM | ||
| Tempus | Niklas Wagner | B♭ Minor | 6 | 3A | 121 BPM | ||
| Oceans of Time | Fringe Element | B♭ Major | 3 | 6B | 100 BPM | ||
| Throne of Masters | Epic Soul Factory, Cesc Vilà, Fran Soto | G Major | 6 | 9B | 180 BPM | ||
| R.E.F. (Warrior's Lullabye) | Zack Hemsey | C Minor | 7 | 5A | 80 BPM | ||
| Rebirth Of A Legend | Sonic Symphony | D Minor | 4 | 7A | 140 BPM | ||
| Warcry | LUDEN, Clara Sorace | D Major | 4 | 10B | 77 BPM | ||
| Last Spark Of Hope | Frameshift Music, Fabian Wiestner | A♭ Minor | 6 | 1A | 99 BPM |