"Takedown" by Tom Player had its release date on August 28, 2015. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Takedown's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Resonance Theory (Deluxe Edition)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Takedown's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Takedown by Tom Player having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bound by Purpose | Twelve Titans Music | D Minor | 5 | 7A | 130 BPM | ||
| Juggernaut | Luca Francini | C Major | 6 | 8B | 100 BPM | ||
| Pathfinder | Ghostwriter | A Minor | 5 | 8A | 90 BPM | ||
| This Is How It Ends | Sebastian Böhm | D Minor | 4 | 7A | 120 BPM | ||
| Your God Is Dead | Really Slow Motion | F Minor | 8 | 4A | 77 BPM | ||
| Redemption | Zack Hemsey | E Minor | 7 | 9A | 136 BPM | ||
| Fighting the Empire | PostHaste Music | D♭ Minor | 8 | 12A | 48 BPM | ||
| Odyssey | Hi-Finesse | D Minor | 4 | 7A | 135 BPM | ||
| Takedown (Orchestral Only Mix) | Tom Player | A♭ Major | 10 | 4B | 98 BPM | ||
| World Stops | Tom Player | F Minor | 6 | 4A | 105 BPM | ||
| United We Stand | Glory Oath + Blood, Robert Leslie Bennett | E Minor | 5 | 9A | 119 BPM | ||
| Line in the Sand | Berend Salverda | C Minor | 6 | 5A | 125 BPM | ||
| The Blue Danube (Epic Trailer Version) | Hidden Citizens | D Major | 2 | 10B | 135 BPM | ||
| Time for Change (feat. The Palace of Budapest Philharmonic Orchestra & The Heritage Voices) | Tom Player, The Palace of Budapest Philharmonic Orchestra, The Heritage Voices | G Major | 8 | 9B | 155 BPM | ||
| A Foundation Has To Be Built On Something | Sebastian Böhm | D Minor | 4 | 7A | 120 BPM | ||
| End of the Line | Sami J. Laine | D♭ Major | 6 | 3B | 111 BPM | ||
| Roar Of Warhorns | Casper Spark | F Minor | 2 | 4A | 118 BPM | ||
| Final Test | Steve Jablonsky | G Major | 6 | 9B | 105 BPM | ||
| The Returned | Mitchell Broom | B Minor | 5 | 10A | 120 BPM | ||
| Adagio in G (Battlefield Version) | Imagine Music | F Minor | 5 | 4A | 125 BPM | ||
| Dopamin Rush | Frameshift Music, Fabian Wiestner | A♭ Minor | 6 | 1A | 80 BPM | ||
| How the Mighty Have Fallen | Epikus | D♭ Major | 5 | 3B | 90 BPM | ||
| Vendetta (Non-Choir) | Jo Blankenburg | D♭ Major | 4 | 3B | 98 BPM | ||
| Ode to Power | Trailerhead | A♭ Major | 7 | 4B | 60 BPM | ||
| Rise With The Flames | Yohei Kuriko, MrEpicOSTs | D Major | 6 | 10B | 107 BPM |