Jean-Philippe Rameau, Angela Hewitt's 'Pièces de clavecin (1724), Suite in E Minor, RCT 2: V. Rigaudons I, II & double' had a release date set for January 1, 2007. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Pièces de clavecin (1724), Suite in E Minor, RCT 2: V. Rigaudons I, II & double's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Rameau: Keyboard Suites in E Minor, G Minor & A Minor". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Pièces de clavecin (1724), Suite in E Minor, RCT 2: V. Rigaudons I, II & double is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pièces de clavecin (1724), Suite in E Minor, RCT 2: V. Rigaudons I, II & double by Jean-Philippe Rameau, Angela Hewitt having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Christophe Coin | F♯ Major | 0 | 2B | 103 BPM | ||
| Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
| La poule | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 130 BPM | ||
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | ||
| Concerto in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Alessandro Marcello, Khatia Buniatishvili | D Minor | 0 | 7A | 73 BPM | ||
| 12 Polonaises, F. 12: No. 8 in E Minor | Wilhelm Friedemann Bach, Daniil Trifonov | E Minor | 0 | 9A | 66 BPM | ||
| Nocturnes, Op. 27: No. 2 in D Flat Major. Lento sostenuto | Frédéric Chopin, Jan Lisiecki | D♭ Major | 0 | 3B | 68 BPM | ||
| Keyboard Sonata in C Minor, Kk. 56 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| Suite en Sol Majeur, RCT 6: VII. Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 98 BPM | ||
| Adagio in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E♭ Minor | 0 | 2A | 90 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: I. Largo | Charles Avison, Café Zimmermann | D♭ Minor | 1 | 12A | 134 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
| Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
| Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
| Bocherini / Arr. Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
| Royer: Premier livre de pièces de clavecin: No. 6, L'aimable | Joseph-Nicolas-Pancrace Royer, David Fray | G Minor | 1 | 6A | 69 BPM | ||
| Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra | F Minor | 0 | 4A | 61 BPM | ||
| Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Satie: 6 Gnossiennes: No. 1, Lent | Erik Satie, Thomas Dunford | D Minor | 3 | 7A | 107 BPM | ||
| Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
| Lully: Ballet des muses, LWV 32: Air. "Trop indiscret Amour" (Euridice) | Jean-Baptiste Lully, Les Arts Florissants, William Christie, Sophie Daneman | F Minor | 1 | 4A | 71 BPM | ||
| Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM |