Roop Kumar Rathod's 'Dil Ki Duniya' had a release date set for October 8, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Roop Kumar Rathod, Sunali Rathod's "Kalmaa" album is number 8 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Dil Ki Duniya's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Dil Ki Duniya by Roop Kumar Rathod to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kinna Sona | Sunil Kamath, Mithoon, Amitabh Varma | D♭ Major | 6 | 3B | 120 BPM | ||
| Sab Tera | Armaan Malik, Shraddha Kapoor | G Major | 6 | 9B | 160 BPM | ||
| Gunaah | Jeet Gannguli, Mustafa Zahid | B Minor | 8 | 10A | 130 BPM | ||
| Ajib Dastan Hai Yeh (From "Dil Apna Aur Preet Parai") | Lata Mangeshkar | F Major | 4 | 7B | 102 BPM | ||
| Dilruba | Kailash Kher, Paresh Kamath, Naresh Kamath, Rakesh Pandit, Pradeep Pandit | E♭ Minor | 3 | 2A | 115 BPM | ||
| Aaya Tere Dar Par | Madan Mohan, Ahmed Hussain, Mohd. Hussain, Mohammed Vakil, Javed Hussain, Javed Akhtar | B♭ Major | 9 | 6B | 118 BPM | ||
| Sona Kitna Sona Hai | Udit Narayan, Poornima | G Major | 9 | 9B | 99 BPM | ||
| Tujhe Main Pyar Karu (From "1920") | Kailash Kher | B Minor | 6 | 10A | 97 BPM | ||
| Jo Tere Sang | Jeet Gannguli, Mustafa Zahid, Sayeed Quadri | B Minor | 9 | 10A | 132 BPM | ||
| Muskurane - Romantic | Jeet Gannguli, Arijit Singh, Rashmi Virag | B Minor | 6 | 10A | 102 BPM | ||
| Mere Haath Mein | Jatin-Lalit, Sonu Nigam, Sunidhi Chauhan, Aamir Khan, Kajol, Prasoon Joshi | D♭ Major | 6 | 3B | 94 BPM | ||
| Tum Hi Aana (Sad Version) [From "Marjaavaan"] | Jubin Nautiyal, Payal Dev | E Minor | 2 | 9A | 80 BPM | ||
| Chahun Main Ya Naa (From "Aashiqui 2") | Palak Muchhal, Arijit Singh | A Minor | 5 | 8A | 107 BPM | ||
| Jag Soona Soona Lage | Rahat Fateh Ali Khan, Richa Sharma | G Major | 7 | 9B | 134 BPM | ||
| Tum Jo Aaye | Pritam, Rahat Fateh Ali Khan, Tulsi Kumar, Irshad Kamil | A♭ Major | 6 | 4B | 90 BPM | ||
| Ali Maula | Salim–Sulaiman, Salim Merchant | C Major | 8 | 8B | 102 BPM | ||
| Dil Ke Arman Ansuon Men Bah Gaye | Salma Agha | A♭ Major | 4 | 4B | 108 BPM | ||
| Khamoshiyan | Jeet Gannguli, Arijit Singh, Rashmi Virag | D Minor | 5 | 7A | 144 BPM | ||
| Ishq de Fanniyar - Female Version | Jyotica Tangri, Kumaar | E♭ Minor | 4 | 2A | 84 BPM | ||
| Suno Na Suno Na (From "Chalte Chalte") | Abhijeet | A Major | 6 | 11B | 88 BPM | ||
| Sawan Aaya Hai (From "Creature 3D") | Arijit Singh | B♭ Minor | 7 | 3A | 79 BPM | ||
| Koi Na Koi Chahiye - From "Deewana" | Vinod Rathod | B Minor | 7 | 10A | 124 BPM | ||
| Bol Na Halke Halke | Shankar-Ehsaan-Loy, Rahat Fateh Ali Khan, Mahalakshmi Iyer, Gulzar | B Minor | 6 | 10A | 90 BPM | ||
| Zindagi Se | Shafaqat Ali | B Minor | 8 | 10A | 154 BPM | ||
| Mar Jawaan | Shruti Pathak, Salim Merchant | B♭ Major | 7 | 6B | 150 BPM |