On August 2, 2001, the song "Saan May" was released by Murchana Pathak. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rameshwar Pathak, Dhanda Pathak, Murchana Pathak's "Gopinath" album is number 3 out of 7. Based on our statistics, Saan May's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Saan May by Murchana Pathak to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nwngbai Malaikha Aswk Salni Ulo | Arun Debbarma | E♭ Major | 9 | 5B | 114 BPM | ||
| Jokhon Tomhar Keu Chelo Na | Parikshit Bala | E♭ Major | 5 | 5B | 154 BPM | ||
| Oi Aruna | Diganta Gohain | D Major | 8 | 10B | 111 BPM | ||
| Majboori Mein Kaam Na Aaye | Arshad Kamli | F♯ Major | 9 | 2B | 156 BPM | ||
| Manjeero Satar | Hari Bharwad | B Major | 4 | 1B | 103 BPM | ||
| Xomoiye Koi (Male Version) | Mahendra Hazarika | D♭ Major | 7 | 3B | 148 BPM | ||
| Kene Gheni Jaucha | Muna Aziz | B Minor | 9 | 10A | 134 BPM | ||
| Maanush O Haeeya Janm Laeeya | Parikshit Bala | A Minor | 5 | 8A | 86 BPM | ||
| Kudrat Ne Sanam | Parmod Ajmeriya | E Minor | 6 | 9A | 82 BPM | ||
| Amar Praran Jhaha | Indrani Sen | F♯ Minor | 4 | 11A | 134 BPM | ||
| Mongon Mona | Menoka | A Major | 4 | 11B | 87 BPM | ||
| Ya Ho Ya Ho Swami | Sadhana Sargam | F Major | 5 | 7B | 150 BPM | ||
| Amar Hridoye | Prasun Mukherjee | E Minor | 4 | 9A | 151 BPM | ||
| Dida Dida Kisa Nasingdi | Goutam Debbarma, Usha Debbarma | D♭ Minor | 5 | 12A | 147 BPM | ||
| Gavna Karval Ae Hari Ji | Bharat Sharma Vyas | C Minor | 6 | 5A | 84 BPM | ||
| Dawa Hath Me Bhalo Ramapeer Re | Prakash Mali | C Minor | 6 | 5A | 101 BPM | ||
| Serek Sa | Biswanath Debbarma | B Major | 5 | 1B | 110 BPM | ||
| Nongola Mukholoi - Original | Mahendra Hazarika, NA | F♯ Major | 6 | 2B | 151 BPM | ||
| Emon Manab Janam | Gostho Gopal Das | E♭ Minor | 5 | 2A | 149 BPM | ||
| Mamun Tumi Bhabane | Dr Anima Choudhury, Tarali Sarma, Ambalika, Group | D♭ Minor | 5 | 12A | 80 BPM | ||
| Amaar Naiba Holo | Kumar Sanu | F♯ Minor | 3 | 11A | 143 BPM | ||
| Mokol Bai Nono | Usha Debbarma, Goutam Debbarma | F♯ Minor | 4 | 11A | 92 BPM | ||
| Devghar Jaiba Jalva Dharba | Pawan Singh | A Minor | 6 | 8A | 83 BPM | ||
| O Gopal Oi | Rameshwar Pathak, Murchana Pathak | F Minor | 9 | 4A | 76 BPM | ||
| Aay Pokhar Me Uthlai Ujahi - Maithili | Dilip Darbhangiya | A♭ Major | 10 | 4B | 126 BPM |