"Arirang (Arr. R. Garofalo and G.Whaley)" by Traditional, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz had its release date on August 7, 2012. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Arirang (Arr. R. Garofalo and G.Whaley)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 25 in Distinguished Music for the Developing Band, Vol. 4 by Rutgers Symphonic Band, Rutgers Wind Ensemble, William Berz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Arirang (Arr. R. Garofalo and G.Whaley) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Arirang (Arr. R. Garofalo and G.Whaley) by Traditional, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nowel el el: VI. Nowel el el | Piers Connor Kennedy, Ensemble Pro Victoria, Cecily Beer, Toby Ward | F Major | 1 | 7B | 79 BPM | ||
| Joseph, lieber Joseph mein | Albert Becker, Schweizer Vokalconsort, Marco Amherd | F Major | 0 | 7B | 82 BPM | ||
| St. Lawrence, Jewry: Spliced Surprise Major | Traditional, Bell Ringing Teams | B♭ Minor | 3 | 3A | 99 BPM | ||
| Antienne "O Sacrum Convivium" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Major | 1 | 9B | 173 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| Adventi Ének Veni, veni, Emmanuel | Zoldan Kodály, Aurél Tillai, Pécsi Nevelök Háza Kamarakórusa | F Minor | 0 | 4A | 107 BPM | ||
| Ave Maria | Franz Biebl, East Carolina University Chamber Singers, James Franklin | C Major | 1 | 8B | 126 BPM | ||
| Snow Angel: I. Prologue | Sarah Quartel, Ariose Women's Choir, Helen Stuart, Jolaine Kerley, Kathleen de Caen | F Major | 1 | 7B | 75 BPM | ||
| Asperges Me | Cantores in Ecclesia | D Major | 1 | 10B | 81 BPM | ||
| O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
| A Christmas Blessing | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | D♭ Major | 1 | 3B | 80 BPM | ||
| El Noi de la Mare (Transc. for Guitar by Miguel Llobet) | Traditional, Plínio Fernandes | D Major | 0 | 10B | 93 BPM | ||
| Terra Benedicta | Elaria, Schola Antiqua, Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest | A Major | 1 | 11B | 83 BPM | ||
| Lucis Creator Optime | Cantores in Ecclesia | E Major | 1 | 12B | 74 BPM | ||
| It Is Meet | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 131 BPM | ||
| Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Veni Veni Emmanuel | The Schola Cantorum of St. John XXIII Parish | C Major | 2 | 8B | 79 BPM | ||
| Magi veniunt | Jacob Clemens non Papa, New York Polyphony | A♭ Minor | 1 | 1A | 81 BPM | ||
| Wait for the Lord | The Songs of Taize Session Singers | E Minor | 1 | 9A | 72 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| A spotless Rose | Herbert Howells, Apollo5 | F♯ Minor | 1 | 11A | 78 BPM | ||
| Lo How a Rose | Winter Harp Ensemble, Lori Pappajohn | G Major | 1 | 9B | 78 BPM | ||
| Traditional Slavic Christmas Music | Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | A Minor | 0 | 8A | 78 BPM | ||
| Gloria VIII, Mode V - Messe 1 Lux et Origo | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | D Major | 2 | 10B | 174 BPM |