Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra's 'Festive Overture, Op.96' had a release date set for December 13, 2011. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 5 in the song's album "Shostakovich: Symphony No.5 & Festive Overture". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Festive Overture, Op.96 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Festive Overture, Op.96 by Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| English Folk Song Suite: I. March "Seventeen Come Sunday" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
| Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 66 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act 4: No. 26, Scene. Allegro ma non troppo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 111 BPM | ||
| Symphony No. 2 in B Minor: 4. Finale: Allegro | Alexander Borodin, London Symphony Orchestra, Jean Martinon | F♯ Major | 2 | 2B | 143 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | ||
| Ballade in A minor, Op. 33 | Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 1 | 8A | 82 BPM | ||
| Mother Goose: IV. Les entretiens de la belle et de la bête | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | C Major | 0 | 8B | 39 BPM | ||
| Noviy Vavilon (New Babylon), Op. 18 [original manuscript version]: Reel 1, General Sale: War - Death to the Prussians | Basel Sinfonietta, Mark Fitz-Gerald | D Major | 1 | 10B | 68 BPM | ||
| Cuban Overture | George Gershwin, Chicago Symphony Orchestra, James Levine | G Major | 4 | 9B | 98 BPM | ||
| Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
| Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D♭ Major | 0 | 3B | 68 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
| Ruslan and Lyudmila: Overture | Mikhail Glinka, London Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 83 BPM | ||
| Piano Concerto No.4 in G minor, Op.40: 3. Allegro vivace | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 177 BPM | ||
| Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
| Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | G Major | 3 | 9B | 135 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
| Galop | US Air Force Band of the Golden Gate, Dmitri Shostakovich, Hunsberger | G Minor | 6 | 6A | 88 BPM | ||
| Sabre Dance | London Symphony Orchestra | C Major | 4 | 8B | 173 BPM | ||
| Toreodor's Song | London Symphony Orchestra | F Major | 2 | 7B | 107 BPM | ||
| Symphony No. 2 in B Minor: 3. Andante | Alexander Borodin, London Symphony Orchestra, Jean Martinon | D♭ Major | 1 | 3B | 91 BPM |