"Come Sunday" by Eric Reed had its release date on November 27, 2020. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Come Sunday's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in For Such a Time as This by Eric Reed. Come Sunday is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Come Sunday by Eric Reed is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harold Land | Benny Green | D♭ Major | 2 | 3B | 87 BPM | ||
| Tenor Madness | Charles Daisey & Friends | A♭ Major | 2 | 4B | 77 BPM | ||
| Here & There & Back & Forth | Lisa Hilton | F Major | 1 | 7B | 133 BPM | ||
| Englishman In New York | Eric Scott Reed | B Minor | 3 | 10A | 103 BPM | ||
| Donde el silencio suena mejor | Nach | C Major | 3 | 8B | 127 BPM | ||
| Nynne's Sang | Matthias Petri, Eric Reed, Andreas Svendsen, Ralph Moore | D♭ Major | 1 | 3B | 141 BPM | ||
| Always on My Mind | Jeremy Pelt | F Minor | 1 | 4A | 69 BPM | ||
| Every time we say goodbye | Rob Van Bavel, Marc van Rooij, Hans Van Oosterhout | D♭ Major | 8 | 3B | 72 BPM | ||
| Nice Work If You Can Get It | Marcus Roberts | A♭ Major | 2 | 4B | 202 BPM | ||
| You Make Me Feel So Young | David Hazeltine, Peter Washington, Louis Hayes | A♭ Major | 3 | 4B | 133 BPM | ||
| Emily | Kenny Barron Trio | C Major | 5 | 8B | 118 BPM | ||
| The Way We Were | Eric Alexander | B♭ Major | 4 | 6B | 121 BPM | ||
| Eres Mi Mundio | Autumn Steps | C Major | 3 | 8B | 127 BPM | ||
| Was It Something I Said? | Yoko Miwa Trio | G Major | 3 | 9B | 122 BPM | ||
| From This Moment On | Bria Skonberg | A♭ Major | 4 | 4B | 128 BPM | ||
| Don'cha Go 'Way Mad | Jan Lundgren Trio | G Minor | 6 | 6A | 129 BPM | ||
| Glow | Eric Scott Reed | A Minor | 3 | 8A | 134 BPM | ||
| Lover Come Back To Me - Short Cut - theme | Arkadia Short Cuts, Billy Taylor | A♭ Major | 3 | 4B | 133 BPM | ||
| Eleanor | Dan Nimmer Trio | B♭ Minor | 4 | 3A | 92 BPM | ||
| Wintersong | Gerry Mulligan, Paul Desmond Quartet | A♭ Major | 2 | 4B | 95 BPM | ||
| White Nights | Meadowpoint | C Minor | 2 | 5A | 112 BPM | ||
| The Day We Said Goodbye | Yoko Miwa Trio | C Major | 3 | 8B | 127 BPM | ||
| Stargazers' Groove | Sax Lounge | C Minor | 6 | 5A | 182 BPM | ||
| The Geisha's Lament | jayden Ariel sb | C Minor | 2 | 5A | 75 BPM | ||
| Monkish | Thomas Sejthen Trio, Jesper Bo Knudsen, Mads Ole Erhardsen, Thomas Sejthen | A♭ Major | 3 | 4B | 60 BPM |