"Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op. 128: 1. Der geigende Eremit" by Max Reger, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht had its release date on June 29, 2018. This song appears to be safe for all ages as it is not explicit. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Variations, Suites, Romances" album is number 7 out of 56. On top of that, Germany appears to be the country where this track was created. Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op. 128: 1. Der geigende Eremit is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op. 128: 1. Der geigende Eremit by Max Reger, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All-Night Vigil, Op.37: All-Night Vigil, Op.37: II. Praise the Lord, O my soul | Sergei Rachmaninoff, Estonian Philharmonic Chamber Choir, Paul Hillier | C Major | 0 | 8B | 77 BPM | ||
| Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| 8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | ||
| Piano Concerto No. 1 in C Minor, Op 33: I. Allegro | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | G Major | 2 | 9B | 79 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM | ||
| Das Orgel-Büchlein, BV B 27: No. 2, Wachet auf, ruft uns die Stimme (After J. S. Bach's BWV 645) | Ferruccio Busoni, Wolf Harden | G Major | 0 | 9B | 129 BPM | ||
| Le tombeau de Couperin: I. Prelude - Arr. for Organ by Erwin Wiersinga | Maurice Ravel, Anna Lapwood | G Major | 0 | 9B | 92 BPM | ||
| Adagio in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E♭ Minor | 0 | 2A | 90 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| Rossini: Péchés de vieillesse, Vol. 6 "Album pour les enfants dégourdis": No. 7, Une caresse à ma femme | Gioachino Rossini, Aldo Ciccolini | E♭ Major | 1 | 5B | 143 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 0 | 6B | 78 BPM | ||
| Symphony No. 1 for Organ and Orchestra, Op. 42: III. Finale | Alexandre Guilmant, Ian Tracey, Yan Pascal Tortelier, BBC Philharmonic | G Minor | 2 | 6A | 82 BPM | ||
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM | ||
| Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) | Henry Purcell, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 82 BPM | ||
| Nocturne No. 13 in B Minor, Op. 119 | Gabriel Fauré, Kun-Woo Paik | E Minor | 1 | 9A | 68 BPM | ||
| Nocturne No. 5 in B-Flat Major, Op. 37 | Gabriel Fauré, Eric Le Sage | B♭ Major | 2 | 6B | 109 BPM | ||
| 52 Chorale Preludes, Op. 67: No. 44, Was Gott tut, das ist wohlgetan | Max Reger, Martin Welzel | D♭ Major | 0 | 3B | 71 BPM | ||
| Serenade for Wind in D Minor, Op. 44: III. Andante con moto | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | A Major | 0 | 11B | 139 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM | ||
| Hahn: Le rossignol éperdu: No. 52, Hivernale (Version for Piano) | Reynaldo Hahn, Shani Diluka | F♯ Minor | 0 | 11A | 137 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 6. Allegro molto | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
| 9 Preludes, Op. 1: No. 2, Andante con moto | Karol Szymanowski, Paolo Ceccarini | G Minor | 0 | 6A | 72 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM |