"Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski)" by Henry Purcell, Matthias Bamert, BBC Philharmonic had its release date on October 1, 2001. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Stokowski's Symphonic Baroque". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) by Henry Purcell, Matthias Bamert, BBC Philharmonic having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto in B-Flat Major, G. 482: II. Adagio non troppo (Arr. F. Grützmacher) | Luigi Boccherini, Ludovit Kanta, Capella Istropolitana, Peter Breiner | G Minor | 0 | 6A | 89 BPM | ||
| Sinfonia da Pacifica: 2. Recitativo. Lento tranquillo | Peggy Glanville-Hicks, Richard Mills, Tasmanian Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Pas de Deux: Part 1 | James Horner, Mari Samuelsen, Hakon Samuelsen, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B Minor | 0 | 10A | 133 BPM | ||
| Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Transcr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM | ||
| Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
| Symphony No. 2 in D Major: II. Adagio ma non molto | William Herschel, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 126 BPM | ||
| Song For Athene | John Tavener, The Temple Church Choir, The Holst Singers, Ian Le Grice, Stephen Layton | F Minor | 0 | 4A | 75 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | B♭ Major | 1 | 6B | 75 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | Frédéric Chopin, Benjamin Grosvenor, Royal Scottish National Orchestra, Elim Chan | A♭ Major | 0 | 4B | 74 BPM | ||
| Summer night on the river | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 53 BPM | ||
| Three Preludes Founded on Welsh Hymn Tunes (orch. Arnold Foster): 2. Rhosymedre (melody by J. D. Edwards, 1805-1885) | Ralph Vaughan Williams, Richard Hickox, Northern Sinfonia Of England | G Major | 1 | 9B | 93 BPM | ||
| Musica Celestis | Aaron Jay Kernis, TrondheimSolistene, Øyvind Gimse | A Major | 1 | 11B | 80 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | ||
| Pur ti Miro from "L'incoronazione di Poppea" | Claudio Monteverdi, Joshua Bell, Michael Stern, Jacob Heringman, John Constable, Stephen Orton, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
| Khovanshchina: Prelude. Dawn on the Moscow River | Modest Mussorgsky, Orchester der Wiener Staatsoper, Claudio Abbado | D♭ Major | 0 | 3B | 99 BPM | ||
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Vallflickans Dance (Dance of the Shepherdess from the ballet-pantomime Bergakungen, Op. 37) | Hugo Alfvén, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Major | 1 | 9B | 147 BPM | ||
| Elegie: O doux printemps d'autrefois | Jules Massenet, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 76 BPM | ||
| Piano Concerto No. 6 in C Major, H. 49: II. Larghetto | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | E Major | 0 | 12B | 79 BPM | ||
| Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
| When I Am Laid In Earth (Dido's Lament) | Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Minor | 0 | 11A | 72 BPM |