Susan Palma-Nidel's 'Ao Longo de um Claro Rio de Agua Doce' had a release date set for September 7, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Susan Palma-Nidel's "Lisboa à Solta" album is number 12 out of 12. Based on our statistics, Ao Longo de um Claro Rio de Agua Doce's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ao Longo de um Claro Rio de Agua Doce by Susan Palma-Nidel to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia concertante for Oboe, Clarinet, Horn & Bassoon in E-Flat Major, K. Anh. C14.01 (K. 297b): III. Andantino con variazioni | Wolfgang Amadeus Mozart, Stephen Taylor, David Singer, William Purvis, Steven Dibner, Orpheus Chamber Orchestra | A Major | 1 | 11B | 128 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
| Klarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppo | Carl Maria von Weber, Ernst Ottensamer, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 71 BPM | ||
| Sonata No. 16 in B Flat Major, III. Allegretto | Maria João Pires | B♭ Major | 2 | 6B | 140 BPM | ||
| I Like Your Buddy | Susan Palma-Nidel | D Major | 6 | 10B | 127 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
| Symphony in F sharp minor, H.I No. 45 -"Farewell": 1. Allegro assai | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | F♯ Minor | 2 | 11A | 158 BPM | ||
| Octet No. 1 in B-Flat Major: II. Andantino | Carl Stamitz, Consortium Classicum | N/A | N/A | N/A | 0 BPM | ||
| Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
| Fado Lopes / Meditando | Susan Palma-Nidel | E Minor | 3 | 9A | 162 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: II. Adagio, ma non troppo | Carl Maria von Weber, Walter Boeykens, James Conlon, Rotterdams Philharmonisch Orkest | C Major | 0 | 8B | 95 BPM | ||
| Concerto for Flute, Harp, and Orchestra in C Major, K. 299: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 83 BPM | ||
| The Musical Sacrifice, S. 50% Off: I. Fuga Meshuga | P.D.Q.Bach, Susan Palma-Nidel, Stephen Taylor, Lauren Goldstein, Early Anderson, Gerald Tarack, Michael Williams | D Major | 1 | 10B | 125 BPM | ||
| Federico's Little Songs for Children: No. 2, La tarde | George Crumb, Susan Narucki, Susan Palma-Nidel, Stacey Shames | F Major | 1 | 7B | 133 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
| Sinfonia in D Major "Il giorno onomastico": II. Larghetto | Antonio Salieri, Gavril Costea, Florin Ionoaia, Modest Cichirdan, Orchestre Philharmonique de Craiova | A Major | 0 | 11B | 169 BPM | ||
| Symphony in D Major, Op. 18, No. 2: I. Grave - Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 89 BPM | ||
| Sonata for Strings No. 3 in C Major: III. Moderato | Gioachino Rossini, Andras Kiss, Budapest Rossini Ensemble | C Major | 1 | 8B | 137 BPM | ||
| Ach! wer bringt die schönen Tage | Otto Luening, Judith Bettina, James Goldsworthy, Susan Palma-Nidel | F Minor | 1 | 4A | 96 BPM | ||
| Symphony in G Minor, Op. 22 No. 3, P. I:5: I. Allegro | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Minor | 1 | 6A | 143 BPM | ||
| Angiolina, ossia Il matrimonio per sussuro Overture | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 2 | 10B | 104 BPM | ||
| Iluminados | Susan Palma-Nidel, Ivan Lins | A Minor | 2 | 8A | 103 BPM | ||
| Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
| Trio For Flute, Piano And Cello No. 31 In G Major - II. Andante | The Jane Austen Era | C Major | 1 | 8B | 95 BPM | ||
| Symphony No. 13 in D Major: III. Allegro assai | William Herschel, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 154 BPM |