The Musical Sacrifice, S. 50% Off: I. Fuga Meshuga by P.D.Q.Bach, Susan Palma-Nidel, Stephen Taylor, Lauren Goldstein, Early Anderson, Gerald Tarack, Michael Williams Song Details

On September 1, 1994, the song "The Musical Sacrifice, S. 50% Off: I. Fuga Meshuga" was released by P.D.Q.Bach, Susan Palma-Nidel, Stephen Taylor, Lauren Goldstein, Early Anderson, Gerald Tarack, Michael Williams. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Musical Sacrifice, S. 50% Off: I. Fuga Meshuga's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "P.D.Q. Bach: Two Pianos Are Better Than One". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, The Musical Sacrifice, S. 50% Off: I. Fuga Meshuga's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With The Musical Sacrifice, S. 50% Off: I. Fuga Meshuga by P.D.Q.Bach, Susan Palma-Nidel, Stephen Taylor, Lauren Goldstein, Early Anderson, Gerald Tarack, Michael Williams having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -27.348 dB
Acousticness: 99%
Danceability: 72%
Energy: 12%
Instrumentalness: 0%
Liveness: 15%
Loudness: 54%
Speechiness: 82%
Valence: 81%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pulcinella Suite: VIII. Minuetto—Finale - Live	Igor Stravinsky, New York Philharmonic, Kurt Masur	D Minor	6	7A	123 BPM
Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang	Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi	A Major	1	11B	81 BPM
Stravinsky: Le Chant du rossignol: II. Marche chinoise	Igor Stravinsky, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste	C Major	1	8B	145 BPM
Wiener Träume	Helene von Alpenheim	F Major	0	7B	83 BPM
The Musical Sacrifice, S. 50% Off: IV. Chorale Prelude "Da kommt ja der Schurke"	P.D.Q.Bach, Susan Palma-Nidel, Stephen Taylor, Lauren Goldstein, Early Anderson, Gerald Tarack, Michael Williams	G Minor	0	6A	142 BPM
4 Ragtime Dances: No. 1, —	Charles Ives, Orchestra New England, James Sinclair	G Major	0	9B	173 BPM
Sérénité Nocturne	Etoilee	E Major	3	12B	178 BPM
Void Whisper	Astrid Voix	D Major	6	10B	98 BPM
Lunacy Talked Me out of It	Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes	E♭ Minor	1	2A	100 BPM
Strangers: A Chamber Ballet About Immigration - No. 16. At the Border	Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker	D♭ Minor	0	12A	95 BPM
Sinfonia Concertante, Op. 125: I. Andante	Sergei Prokofiev, The Pilsen Philharmonic Orchestra, Chuhei Iwasaki, Michał Balas	D♭ Minor	0	12A	95 BPM
Flourish Forever	Fiona Ubong	B♭ Minor	1	3A	66 BPM
Overture to "The School for Scandal", Op. 5	Samuel Barber, Atlanta Symphony Orchestra, Yoel Levi	A Minor	1	8A	101 BPM
Peter and the Wolf, Op. 67: He Ran Home, Got a Strong Rope and Climbed up the High Stone Wall	Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra	C Major	2	8B	130 BPM
Britten: Soirées musicales, Op. 9: III. Tirolese	Benjamin Britten, English Chamber Orchestra, Alexander Gibson	C Major	2	8B	173 BPM
Da Da DDD	Mike Bish	G Major	0	9B	110 BPM
Saint-Saëns: The Swan (Le Cygne)	Conrad Zwicky	G Major	0	9B	69 BPM
Sonate, Op. 168: II. Allegro scherzando	Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin	C Major	1	8B	174 BPM
Brian: Symphony No. 7 in C Major: II. Allegro maestoso ma moderato	Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras	D♭ Minor	0	12A	95 BPM
Symphony No. 2 in E Minor: IV. Finale. Allegro vivace	Emilie Mayer, NDR Radiophilharmonie, Leo McFall	E Minor	1	9A	110 BPM
Concerto pour trombone et orchestre: I. Moderato assai	Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger	D♭ Major	0	3B	73 BPM
Canzon per sonar a sei—Count Them—Sei	Peter Schickele, Michael Sachs, David Zauder, Richard Solis, Richard King, James de Sano, Ronald Bishop	G Major	1	9B	100 BPM
Lyric Movement, H. 191	Gustav Holst, Andriy Viytovych, English Sinfonia, Howard Griffiths	C Minor	1	5A	88 BPM
Little Pickle Book, S. 6: III. Fantasia sopra "Fräulein Maria Mack"	P.D.Q.Bach, Dennis James	B Major	1	1B	133 BPM
Serenata from "Pulcinella"	Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra	D Minor	6	7A	123 BPM