Etoilee's 'Sérénité Nocturne' had a release date set for September 10, 2024. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 7 in Chants Célestes by Etoilee. The popularity of Sérénité Nocturne is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sérénité Nocturne by Etoilee is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | D Major | 1 | 10B | 131 BPM | ||
| Les enfants de la Résistance (Thème) | Philippe Rombi | D Major | 1 | 10B | 131 BPM | ||
| Glazunov: Concert Waltz No. 1, Op. 47 | Alexander Glazunov, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 1 | 10B | 131 BPM | ||
| Cosas De La Batalla | Las Guerreras | A Minor | 3 | 8A | 101 BPM | ||
| Fortune Telling (After G. Bizet) | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 131 BPM | ||
| GOA III | R.Kuhn, Rüdiger Edgar Kuhn | D Minor | 3 | 7A | 80 BPM | ||
| Quantum Flow | Jarko Vento | G Major | 3 | 9B | 121 BPM | ||
| To Lizbie Brown, Op.15, No.7 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 73 BPM | ||
| Romeo and Juliet, Op. 64, Act II: No. 23, Romeo and Mercutio | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | D Major | 1 | 10B | 131 BPM | ||
| Pulsation Fantome | Solyn | F Minor | 1 | 4A | 101 BPM | ||
| VIII. PIECE | Yutaka Yamada | D Major | 1 | 10B | 131 BPM | ||
| Billy the Kid, Ballet Suite: I. Introduction: The Open Prairie | Aaron Copland, London Symphony Orchestra | G Minor | 0 | 6A | 60 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| Slow Air | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | D Major | 1 | 10B | 131 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Astral Voice | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
| Way of Dreams | Scottie Nash | C Major | 3 | 8B | 87 BPM | ||
| Sonatina Luxuria | Lorena Velic | F♯ Minor | 1 | 11A | 75 BPM | ||
| Recortes | Armonias | A Major | 5 | 11B | 119 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Bartók: 6 Romanian Folk Dances, Sz. 56 (Orch. Székely) | Béla Bartók, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 1 | 10B | 131 BPM | ||
| I Sing to You (Souvenir): I Sing to You (Souvenir) | Eric Coates, BBC Philharmonic, John Wilson | F Major | 1 | 7B | 87 BPM | ||
| Your green harp | Jalaapeno | F Minor | 0 | 4A | 70 BPM | ||
| Variations On An Original Theme (enigma), Op. 36 | Edward Elgar, London Symphony Orchestra, Eduardo Mata | G Minor | 1 | 6A | 82 BPM |