"Slow Air" by Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones had its release date on March 19, 2001. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 22 in English String Miniatures, Vol. 2 by English Northern Philharmonia, David Lloyd-Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Slow Air is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Slow Air by Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pavane, Op. 50 | Gabriel Fauré, Sydney Symphony Orchestra, Matthias Bamert | F♯ Minor | 0 | 11A | 79 BPM | ||
| Symphony No. 2, Op. 132, "Mysterious Mountain": III. Andante espressivo | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 78 BPM | ||
| 2 Sketches: A Northern Song | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 1 | 9A | 113 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Vaughan Williams: Job, a Masque for Dancing, Scene 1: Introduction | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 71 BPM | ||
| Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | ||
| Sailing By | Ronald Binge, New London Orchestra, Ronald Corp | B♭ Major | 1 | 6B | 132 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| An English Suite: V. Pastoral | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | C Major | 0 | 8B | 78 BPM | ||
| Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
| Vaughan Williams / Orch. Jacob: English Folk Song Suite: II. Intermezzo. My Bonny Boy | Ralph Vaughan Williams, London Symphony Orchestra, Sir Adrian Boult | C Minor | 0 | 5A | 131 BPM | ||
| Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
| Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
| Dolly Suite, Op. 56 (Orch. Rabaud): III. Le jardin de Dolly | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 109 BPM | ||
| A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 95 BPM | ||
| Elgar: Mina | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 85 BPM | ||
| II. Minuetto n. 2. All’esimio violinista prof. Augusto Michelangeli | Giacomo Puccini, Sinfonia Of London, John Wilson | G Major | 1 | 9B | 103 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
| Beni Mora, Op. 29, No. 1: II. Second Dance | Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 0 | 4B | 133 BPM | ||
| Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | ||
| English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | ||
| Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM |