Rajeswari Dutta's 'Pipasa Hay Nahi Mitilo' had a release date set for January 1, 1961. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 17 in Bajey Karuna Surey by Rabindranath Tagore, Rajeswari Dutta. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Pipasa Hay Nahi Mitilo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pipasa Hay Nahi Mitilo by Rajeswari Dutta is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bujhi Oi Sudure Dakilo More | Rajeswari Dutta | D♭ Major | 5 | 3B | 115 BPM | ||
| Dekho Ghor Andhakare | Rupankar | A Minor | 5 | 8A | 98 BPM | ||
| Brajo Gopi Khele Hori | Mohammed Rafi | D♭ Minor | 6 | 12A | 90 BPM | ||
| Amay Karuna Karo Maa | Dhananjay Bhattacharya | E Minor | 4 | 9A | 120 BPM | ||
| Tumi Robe Nirobe | Swagatalakshmi Dasgupta | D Major | 1 | 10B | 68 BPM | ||
| Sadanandamayee Kali | Manomay Bhattacharya | B♭ Major | 4 | 6B | 140 BPM | ||
| Mone Premer Batti Jole | Syed Abdul Hadi | E♭ Major | 3 | 5B | 143 BPM | ||
| Jakhan Bhanglo Milan Mela - Hemanta Mukherjee - Stereo | Hemant Kumar | G Major | 1 | 9B | 136 BPM | ||
| Amar Jwaleni Alo Andhakare | Debabrata Biswas | D♭ Minor | 4 | 12A | 88 BPM | ||
| Ro Sar Bene Ba Baleen | Ahmad Zahir | C Major | 8 | 8B | 112 BPM | ||
| Amar Hriday Tomar Apan Hater Dole | Hemant Kumar | F♯ Minor | 3 | 11A | 114 BPM | ||
| E Ki Labanye Purna Pran | Durnibar Saha | B♭ Major | 4 | 6B | 152 BPM | ||
| Manush Bhaja, Manush Puja | Bauls of Bengal | D Major | 5 | 10B | 91 BPM | ||
| Ami Je Jalsaghare Stereo | Sandhya Mukherjee | G Major | 4 | 9B | 129 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Badhu Michey Raag Koro Na | Rezwana Choudhury Bannya | D Major | 3 | 10B | 127 BPM | ||
| Puran Sei | Hemanta Mukhopadhyay | G Major | 5 | 9B | 145 BPM | ||
| E Moho Aboran Khule Dao | Rajeswari Dutta | F Major | 3 | 7B | 69 BPM | ||
| Bologo Thakur | Mahesh Ranjan Shome | F♯ Minor | 5 | 11A | 175 BPM | ||
| Kaandale Tumi More | Indrani Sen | B Minor | 4 | 10A | 120 BPM | ||
| Baokumta Batash Jemon | Rathindranath Roy | D♭ Major | 6 | 3B | 164 BPM | ||
| Sadhan Bhajan Janine Maa Go | Amrik Singh Arora | A Major | 3 | 11B | 123 BPM | ||
| Baro Asha Kore Esechhi Go | Debabrata Biswas | B Minor | 3 | 10A | 64 BPM | ||
| O Ki Gariyal Bhai | Rathindranath Roy | A Major | 9 | 11B | 156 BPM | ||
| Anondoloke Mongolaloke | Indranil Sen, Radhika Chakraborty | E♭ Major | 1 | 5B | 153 BPM |