On July 3, 2018, the song "Baokumta Batash Jemon" was released by Rathindranath Roy. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 10 in Dharala Nadir Pare by Rathindranath Roy. The popularity of Baokumta Batash Jemon is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Baokumta Batash Jemon by Rathindranath Roy is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nodir Upor Bandhi Setu | Rathindranath Roy | B♭ Major | 6 | 6B | 122 BPM | ||
| Bondhu Amar Maya Jane Ree | Shahin Rana | D♭ Major | 8 | 3B | 82 BPM | ||
| Amar Ekla Ekta Mon | Sathi Khan | D♭ Major | 5 | 3B | 144 BPM | ||
| Ektu choan | Mita Chatterjee | B♭ Major | 3 | 6B | 95 BPM | ||
| O ma tor aanchal diye | Parikshit Bala | F♯ Minor | 6 | 11A | 144 BPM | ||
| Murta Maheshwaram | Mahesh Ranjan Shome | F♯ Minor | 5 | 11A | 175 BPM | ||
| Bandhan Sad | Kalpana Patowary | A Minor | 10 | 8A | 115 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Jati Chara Jai Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| 05. Mon Tui Michhe Kadis Na Re | Rathindranath Roy | D♭ Major | 7 | 3B | 78 BPM | ||
| O Ki Bandhu Kajol Bhomra | Rathindranath Roy | E♭ Major | 6 | 5B | 181 BPM | ||
| Hatir Dnater Palangka Tor | Parikshit Bala | A Major | 3 | 11B | 63 BPM | ||
| Mangal Bhavan Amangal Haari | Soumya Pandey | D♭ Major | 3 | 3B | 140 BPM | ||
| Jane Januk Jogotbashi | Kumar Bishwajit, Kanak Chapa | A Minor | 9 | 8A | 152 BPM | ||
| Bolbona Go Ar Kono Din - 23 | Baul Sukumar | D Minor | 4 | 7A | 82 BPM | ||
| Tor chorone shyma maa | Raghab Chatterjee | D Major | 5 | 10B | 148 BPM | ||
| O MOR MONEK KATHA GORI TOYEN SUNIJA NO-ADIVASI BINDHANI | Samanath, Pomi | B Minor | 7 | 10A | 135 BPM | ||
| Tomar Preme Zala | Khalid Hasan Milu | A♭ Major | 6 | 4B | 122 BPM | ||
| Jagore Nogorbashi | Apily Dutta Bhowmick | E♭ Major | 6 | 5B | 116 BPM | ||
| Auliyaakkalude Veedu | Jabir Sulaim | D Major | 4 | 10B | 140 BPM | ||
| Bare Bare Ar Asa Hobe Na - Bengali | Koushik Adhikari | E♭ Minor | 6 | 2A | 149 BPM | ||
| Baokumta Batash Jemon | Rathindranath Roy | D♭ Major | 6 | 3B | 164 BPM | ||
| Mojgan Siya | Nasrat Parsa | F Major | 7 | 7B | 120 BPM | ||
| Nati Amago Bari Jaio | Gostho Gopal Das | F Major | 5 | 7B | 112 BPM | ||
| Bolbo na Ar Premer kotha | Sukumar Baul | D♭ Minor | 5 | 12A | 148 BPM |