Alexandre Tansman, Christopher Parkening's ' "Danza Pomposa From Cavatina" was released on its scheduled release date, January 1, 1993. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Danza Pomposa From Cavatina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Artistry Of Christopher Parkening". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Danza Pomposa From Cavatina is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Danza Pomposa From Cavatina by Alexandre Tansman, Christopher Parkening having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde, Andrés Madariaga, Maria-Theresa Freibott | E Minor | 0 | 9A | 92 BPM | ||
| Prélude, Op. 11 No. 1 | Anatoly Lyadov, Yoko Kikuchi | G Major | 0 | 9B | 69 BPM | ||
| Cançó i dansa No. 10 (Version for Guitar): II. Dansa. Amabile | Federico Mompou, Eugenio Della Chiara | D Major | 2 | 10B | 109 BPM | ||
| De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: II. Allemande grave "Tombeau du vieux Gallot" | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 131 BPM | ||
| Trois Quatuors Op.6 pour flûte, clarinette, cor et basson: Allegro con spirito | André-Frédéric Eler, Quodlibet Winds | D Minor | 1 | 7A | 107 BPM | ||
| Sonatine For Bassoon And Piano: III. Scherzo: Molto Vivace | Alexandre Tansman, Frank Morelli, Gilbert Kalish | D Minor | 2 | 7A | 135 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | G Major | 1 | 9B | 99 BPM | ||
| Fernando Sor : Variaciones sobre un tema de ''la flauta magica'', de mozart | Renata Tarragó | F Major | 3 | 7B | 122 BPM | ||
| Waltz No. 12 in F Minor, Op. 70 No. 2 | Frédéric Chopin, Stephen Hough | A♭ Major | 0 | 4B | 76 BPM | ||
| Premières valses: VI. Assez vite (Arr. Goss for 2 Guitars) | Reynaldo Hahn, Alexandra Whittingham, Stephanie Jones | A Major | 1 | 11B | 80 BPM | ||
| A Long Line | Buck McDaniel, Julia Henderson, Sonia Bize | C Major | 3 | 8B | 78 BPM | ||
| Balletto | Adam Holzman, Manuel Ponce | A Major | 1 | 11B | 74 BPM | ||
| The Gnomes, Op. 77 | Ernest Shand, Alexandra Whittingham | E Minor | 4 | 9A | 130 BPM | ||
| Sonatina: I. Allegretto | Federico Moreno Torroba, Franz Halász | A Major | 2 | 11B | 117 BPM | ||
| Rachmaninoff: Prélude in G-Sharp Minor, Op. 32, No. 12 | Sergei Rachmaninoff, Khatia Buniatishvili | E Major | 1 | 12B | 68 BPM | ||
| PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) - Upright Version | Alexander Scriabin, Julius Asal | E♭ Minor | 0 | 2A | 69 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Guitar by Tristan Manoukian) | Maurice Ravel, Steve Cowan | E Minor | 0 | 9A | 94 BPM | ||
| Sonatina: II. Andante | Federico Moreno Torroba, Franz Halász | A Major | 2 | 11B | 85 BPM | ||
| Concerto Magna Carta: Cadenza | Xuefei Yang, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Villa-Lobos: Guitar Preludes, W419: No. 4 in E Minor, Lento | Heitor Villa-Lobos, Turibio Santos | B Minor | 0 | 10A | 114 BPM | ||
| As Time Stands By | Francesco De Grazia, Arielle Krebs | D Major | 0 | 10B | 80 BPM | ||
| Bassoon Sonatine: III. Scherzo. Molto vivace | Alexandre Tansman, Karen Geoghegan, Philip Edward Fisher | E♭ Major | 0 | 5B | 104 BPM | ||
| Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
| Album de la Juventud, Op. 68: Nº 9 Canción Popular | Robert Schumann, Andrés Segovia | E Major | 0 | 12B | 116 BPM | ||
| Sonatina canonica, Op. 196: I. Mosso, grazioso e leggero | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | B Minor | 1 | 10A | 84 BPM |