"Rachmaninoff: Prélude in G-Sharp Minor, Op. 32, No. 12" by Sergei Rachmaninoff, Khatia Buniatishvili had its release date on March 22, 2024. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Rachmaninoff: Prélude in G-Sharp Minor, Op. 32, No. 12's duration is considered a little bit shorter than the average duration of a typical track. Since Rachmaninoff: Prélude in G-Sharp Minor, Op. 32, No. 12 only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Rachmaninoff: Prélude in G-Sharp Minor, Op. 32, No. 12 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninoff: Prélude in G-Sharp Minor, Op. 32, No. 12 by Sergei Rachmaninoff, Khatia Buniatishvili having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miroirs, M. 43: III. Une barque sur l'océan | Maurice Ravel, Seong-Jin Cho | E Major | 2 | 12B | 142 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| 6 Moments musicaux, Op. 16: No. 1, Andantino | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
| Kreisler / Arr. Rachmaninov: 3 Alt-Wiener Tanzweisen: No. 2, Liebesleid | Fritz Kreisler, Aurélien Pontier | E Minor | 1 | 9A | 83 BPM | ||
| Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
| Miroirs, M. 43: No. 3, Une barque sur l'océan | Maurice Ravel, Bruce Liu | F♯ Minor | 1 | 11A | 71 BPM | ||
| Pavane pour une infante défunte in G major, M. 19 | Maurice Ravel, Khatia Buniatishvili | E Minor | 0 | 9A | 63 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
| Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | ||
| The Seasons, Op. 37a: VIII. August. The Harvest | Pyotr Ilyich Tchaikovsky, Bruce Liu | A Major | 1 | 11B | 95 BPM | ||
| Paraphrase on the Prelude in C-Sharp Major, BWV 872 (Transcribed by Alexander Siloti) | Johann Sebastian Bach, Mao Fujita | F♯ Major | 0 | 2B | 207 BPM | ||
| Pierné: Barcarolle, Op. 26 | Gabriel Pierné, Philippe Jaroussky, Alexandre Tharaud | D Minor | 1 | 7A | 90 BPM | ||
| Pictures at an Exhibition: Promenade I | Modest Mussorgsky, Khatia Buniatishvili | F Major | 0 | 7B | 80 BPM | ||
| Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 74 BPM | ||
| Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": I. Barcarolle | Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch-Barakovsky | G Minor | 1 | 6A | 130 BPM | ||
| Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| 8 Nocturnes, Op. 368: No. 2, Andantino animato | Carl Czerny, Roberte Mamou | E♭ Major | 0 | 5B | 169 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
| 4 Sketches, Op. 15: III. Dreaming | Amy Beach, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 93 BPM | ||
| Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
| Cascade I | Julius Asal | E Major | 1 | 12B | 64 BPM |