"Filum" by Raffaele Bellafronte, Davide Di Ienno had its release date on November 5, 2021. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Raffaele Bellafronte: Guitar Works 2021". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Italy. Filum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Filum by Raffaele Bellafronte, Davide Di Ienno having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zigeunerweisen, Op. 20 (Arr. For cello and piano) | Pablo de Sarasate, Emilio Colón, Sung Hoon Mo | C Major | 1 | 8B | 138 BPM | ||
| Suite populaire Brésilienne, W020: III. Valsa-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 1 | 9A | 101 BPM | ||
| Preludio Nº 1 | Francisco Tárrega, Josefina Robledo | E Major | 0 | 12B | 114 BPM | ||
| I'll bid my heart be still | Rebecca Clarke, Philip Dukes, Sophia Rahman | D Minor | 0 | 7A | 83 BPM | ||
| Nana (from Seven Spanish Popular Songs) | Manuel de Falla, Pablo Casals, Eugene Istomin | A Minor | 2 | 8A | 91 BPM | ||
| Flexis | Raffaele Bellafronte, Davide Di Ienno | D Minor | 1 | 7A | 87 BPM | ||
| Pièces de clavecin, Suite in E, RCT 2: La Villageoise. Rondeau | Jean-Philippe Rameau, Constance Luzzati | G Minor | 1 | 6A | 82 BPM | ||
| Rêverie: Reverie | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Minor | 2 | 8A | 83 BPM | ||
| Debussy: Cello Sonata in D Minor, CD 144, L. 135: I. Prologue. Lent - Sostenuto e molto risoluto | Claude Debussy, Daniel Müller-Schott, Robert Kulek | D Minor | 0 | 7A | 131 BPM | ||
| Sonata No 5 in D minor: Bourée | Silvius Leopold Weiss, David Miller | A Major | 3 | 11B | 87 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | A♭ Major | 1 | 4B | 143 BPM | ||
| Elegy No. 2, "Romanza Drammatica" | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Major | 0 | 11B | 127 BPM | ||
| ロマンス | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| Cello Sonata No. 6 in A Major, G. 4*: II. Adagio | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
| Suite No.1 in A Minor: II. Histerico | Raffaele Bellafronte, David e Mia | B♭ Major | 4 | 6B | 89 BPM | ||
| The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| Nacht und Träume, Op. 43 No. 2, D. 827 (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 92 BPM | ||
| Duet for 2 Flutes in E Minor, F. 54: III. Vivace | Wilhelm Friedemann Bach, Patrick Gallois, Kazunori Seo | A Major | 1 | 11B | 141 BPM | ||
| Pièce en forme de Habanera, M. 8 | Maurice Ravel, Slava Grigoryan, Sharon Grigoryan | G Major | 1 | 9B | 97 BPM | ||
| Sasayaki yuki | Angi G | G Minor | 5 | 6A | 113 BPM | ||
| 4 Dances: 3. Mambo | Raffaele Bellafronte, Oscar Ghiglia, Andreas von Wangenheim, Letizia Guerra, Benjamin Bunch | G Minor | 2 | 6A | 89 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): III. Arioso | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 76 BPM | ||
| Élégie, Op. 24: Elegie, Op. 24 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | A♭ Major | 1 | 4B | 91 BPM | ||
| Sonatina for Flute & Guitar, Op. 205: I. Allegretto grazioso | Mario Castelnuovo-Tedesco, Irene Kalisvaart, Britta Jacobs | C Major | 1 | 8B | 118 BPM |