- BPM
- 83
- Key
- A Minor
- Camelot
- 8A
Rêverie: Reverie by Giovanni Bottesini, Andrew Burashko, Joel Quarrington Song Details
Giovanni Bottesini, Andrew Burashko, Joel Quarrington's ' "Rêverie: Reverie" was released on its scheduled release date, November 6, 1997. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 10 in Bottesini: Music for Double Bass and Piano, Vol. 1 by Giovanni Bottesini, Andrew Burashko, Joel Quarrington. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Rêverie: Reverie is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of Rêverie: Reverie by Giovanni Bottesini, Andrew Burashko, Joel Quarrington is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 9%
- Loudness
- -18.895 dB
- Acousticness
- 99%
- Danceability
- 52%
- Energy
- 22%
- Instrumentalness
- 94%
- Liveness
- 29%
- Loudness
- 69%
- Speechiness
- 6%
- Valence
- 79%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 138 BPM | |
 | Eccles: Sonata in G Minor: IV. Presto | Mark Morton | G Minor | 2 | 6A | 117 BPM | |
 | Concerto for 2 Cellos in G Minor, RV 531: II. Largo | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | |
 | Allegretto Capriccio a la Chopin | Giovanni Bottesini, Catalin Rotaru, Wan Ting Yu | F♯ Minor | 1 | 11A | 114 BPM | |
 | Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | |
 | Gabriel Fauré Après Un Rêve | Josef Karlicek, Petr Karlicek | A Major | 1 | 11B | 90 BPM | |
 | Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | |
 | A Nightingale Sang in Berkeley Square | Manning Sherwin, Joel Quarrington, Don Thompson | A Minor | 1 | 8A | 88 BPM | |
 | Ravel: Violin Sonata No. 2 in G Major, M. 77: I. Allegretto | Maurice Ravel, Renaud Capuçon, Frank Braley | G Major | 0 | 9B | 124 BPM | |
 | Papageno Variations: Theme. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. Theme | Milton Barnes, Joel Quarrington, Toronto Symphony Orchestra, Timothy Vernon | G Major | 1 | 9B | 81 BPM | |
 | Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | |
 | Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: I. Allegro Moderato | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | F♯ Minor | 2 | 11A | 100 BPM | |
 | Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | |
 | Introduzione e gavotta: Introduction and Gavotte | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | F♯ Minor | 0 | 11A | 130 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | |
 | String Quartet in G Minor, Op. 27: I. Un poco andante - Allegro molto ed agitato | Edvard Grieg, Oslo Quartet | E♭ Major | 1 | 5B | 86 BPM | |
 | Fantasia on Rossini's Canzonette: I. La danza (Orch. G. Jardanyi) | Giovanni Bottesini, Gergely Jardanyi, Odon Racz, Budapest Chamber Symphony, János Ács | A Major | 0 | 11B | 89 BPM | |
 | 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Radu Lupu | D Minor | 0 | 7A | 135 BPM | |
 | 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: III. Danse des Ombres. Sarabande | Eugène Ysaÿe, Hilary Hahn | G Major | 0 | 9B | 112 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | |
 | Sonata in A Minor, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | D Major | 0 | 10B | 95 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 127 BPM | |
 | Poem for String Quartet | Rebecca Clarke, Barbican Quartet | A Major | 1 | 11B | 90 BPM | |
 | Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | |
 | Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM |
- ISRC
- HKI199710610
- Label
- L-M Records/RCA Records