"Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: I. Allegro Moderato" by Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic had its release date on January 24, 2020. This song appears to be safe for all ages as it is not explicit. This song is part of Via Bottesini: Concerti e pezzi concertanti by Giovanni Bottesini, Wies de Boevé. The song's track number on the album is #5 out of 8 tracks. Based on our data, Belgium was the country where this track was produced or recorded. In terms of popularity, Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: I. Allegro Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: I. Allegro Moderato by Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: I. Allegro Moderato being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonietta, FP 141: IV. Finale | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 79 BPM | ||
| Violin Sonata No. 1 in F Major, Op. 8: I. Allegro con brio | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 0 | 7A | 77 BPM | ||
| Scaramouche, Op. 165c: II. Modéré | Darius Milhaud, Sohre Rahbari, Brussels Philharmonic, Ali Rahbari | B Minor | 1 | 10A | 146 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: III. Allegretto poco scherzoso | Eugène Ysaÿe, Hilary Hahn | B♭ Major | 1 | 6B | 60 BPM | ||
| Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
| Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
| Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | ||
| Mother and Child (from Suite for Violin and Piano) | William Grant Still, Joshua Weilerstein, Orchestre de Chambre de Lausanne | G Major | 1 | 9B | 89 BPM | ||
| Petite suite: I. An Opalescent Fantasy | Peter Scott Lewis, Miranda Cuckson | F Minor | 1 | 4A | 67 BPM | ||
| Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
| Prélude, habañera et allegro, Op. 106 | Joseph Jongen, Wies de Boevé, Tomoko Takahashi | G Major | 1 | 9B | 117 BPM | ||
| Concerto for Double Bass and Orchestra: II. Andante | Serge Koussevitzky, Oslo Philharmonic Orchestra, Alfredo Antonini | B Minor | 1 | 10A | 146 BPM | ||
| Concerto in E major for Double-bass and Orchestra: 1. Allegro | Carl Ditters von Dittersdorf, Odon Racz, Franz Liszt Chamber Orchestra | E Major | 1 | 12B | 108 BPM | ||
| Carmen Concert Fantasy, Op. 25: V. Moderato - Animato | Pablo de Sarasate, Tianwa Yang, Orquesta Sinfónica de Navarra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 157 BPM | ||
| Conus: Violin Concerto in E Minor: I. Allegro molto | Julius Conus, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | E Minor | 2 | 9A | 98 BPM | ||
| Sonata in F Minor, Op. 120, No. 1: III. Allegretto grazioso | Johannes Brahms, Richard Goode, Michael Tree | A♭ Major | 0 | 4B | 75 BPM | ||
| Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | D Major | 1 | 10B | 105 BPM | ||
| Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | ||
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
| Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra, Yo-Yo Ma | C Major | 2 | 8B | 97 BPM | ||
| Eccles: Sonata in G Minor: IV. Presto | Mark Morton | G Minor | 2 | 6A | 117 BPM | ||
| Violin Concerto No. 2 In G Minor, Op. 63: 3. Allegro, ben marcato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 64 BPM | ||
| Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 1 | 6B | 129 BPM | ||
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
| Sonata in G Minor for Cello and Piano, Op. 19: III. Andante | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E♭ Major | 0 | 5B | 87 BPM |