Holberg Suite, Op. 40: IV. Air (Version for Strings) by Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti Song Details

"Holberg Suite, Op. 40: IV. Air (Version for Strings)" by Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti had its release date on April 3, 2012. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Edvard Grieg, Richard Tognetti, Australian Chamber Orchestra's "Grieg: holberg suite - string quartet in g minor - 2 elegiac melodies - erotikk" album is number 11 out of 12. On top of that, Sweden appears to be the country where this track was created. Holberg Suite, Op. 40: IV. Air (Version for Strings) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Holberg Suite, Op. 40: IV. Air (Version for Strings) by Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 13%
Loudness: -21.068 dB
Acousticness: 90%
Danceability: 10%
Energy: 5%
Instrumentalness: 78%
Liveness: 14%
Loudness: 65%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato	Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding	D Major	2	10B	133 BPM
Cello Concerto in C Major, Hob. VIIb:1: III. Finale (Allegro molto)	Joseph Haydn, Mischa Maisky, Chamber Orchestra of Europe	C Major	2	8B	80 BPM
2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio	Johan Svendsen, Bournemouth Sinfonietta, Richard Studt	E Minor	1	9A	92 BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Furies	Christoph Willibald Gluck, Daniel Hope, Zurich Chamber Orchestra	D Minor	4	7A	153 BPM
Suite in G Major: II. Andante	Ignacy Jan Paderewski, Capella Bydgostiensis, Mariusz Smolij	G Major	1	9B	152 BPM
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	C Major	4	8B	150 BPM
Romance in G Minor	Sergei Rachmaninoff, Quatuor Alfama	B♭ Major	0	6B	90 BPM
Musica serena	Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić	A Minor	0	8A	65 BPM
Violin Concerto No. 1 in A Minor, Op. 77: IIIa. Passacaglia. Andante	Dmitri Shostakovich, Hilary Hahn, Oslo Philharmonic Orchestra, Marek Janowski, Oslo-Filharmonien	D♭ Major	1	3B	178 BPM
St. Paul's Suite, Op. 29 No. 2: I. Jig	Gustav Holst, Budapest Strings, Karoly Botvay	C Major	1	8B	129 BPM
The Gadfly Suite, Op. 97a: No. 8 Romance	Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin	D♭ Major	1	3B	133 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso	John Ireland, Richard Hickox, City of London Sinfonia	A Minor	1	8A	138 BPM
Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam	Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss	E Major	0	12B	113 BPM
Symphony No. 3 in C Minor: IV. Scherzo. Finale. Allegro	Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin	C Minor	3	5A	132 BPM
Black Swan: Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major) [After Brahms' 6 Piano Pieces, Op. 118, No. 2. Intermezzo in A Major]	Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz	G Major	3	9B	80 BPM
Die tote Stadt, Act I: Mariettas Lied	Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits	B♭ Major	3	6B	94 BPM
Concerto for Viola and Orchestra: I. Andante comodo	William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes	A Minor	1	8A	103 BPM
Serenade for String Orchestra in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina	Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin	C Major	2	8B	125 BPM
Cello Concerto in C Minor, Op. 21: II. Adagio -	Kurt Atterberg, Truls Mørk, Symphony Orchestra Of Norrlands Opera, Kristjan Järvi	D♭ Major	1	3B	174 BPM
Rêve Astral	Etoilee	F Minor	8	4A	119 BPM
Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	B♭ Major	0	6B	109 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Concerto For Oboe And Strings: 2. Minuet & Musette	Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim	G Minor	2	6A	88 BPM
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	G Major	0	9B	142 BPM