Imogen Holst, BBC Concert Orchestra, Alice Farnham's ' "Variations on "Loth to Depart": Var. I" was released on its scheduled release date, September 6, 2024. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Imogen Holst's "Imogen Holst: Discovering Imogen" album is number 3 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Variations on "Loth to Depart": Var. I is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Variations on "Loth to Depart": Var. I by Imogen Holst, BBC Concert Orchestra, Alice Farnham to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alleluia Amen: II. amen | David Lang, Trio Mediæval | G Minor | 0 | 6A | 124 BPM | ||
| Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
| Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 88 BPM | ||
| Holst: A Moorside Suite: I. Scherzo | Gustav Holst, Imogen Holst, BMC (Oxford) Band | B Major | 1 | 1B | 122 BPM | ||
| Son of God Mass: Pax Domini | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 75 BPM | ||
| Crying sun | Quirine van Hoek | A Minor | 1 | 8A | 82 BPM | ||
| Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | ||
| Da pacem, Domine | Chloe May Evans, Ǣfendrēama | D♭ Major | 1 | 3B | 104 BPM | ||
| All-night Vigil, Op. 37: No. 7, Glory to God in the Highest | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | A♭ Major | 1 | 4B | 89 BPM | ||
| Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
| Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
| To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
| 2 Motets, Op. 43: No. 1, The Evening-Watch, H. 159 - Live | Gustav Holst, Pauline Stevens, Ian Partridge, Purcell Singers, Imogen Holst | G Major | 1 | 9B | 185 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Für Jan van Eyck | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve, Ene Salumäe | E Major | 0 | 12B | 126 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
| Leiston Suite: IV. Slow Air. Very slow and expressive | Imogen Holst, Onyx Brass, John Wilson | G Minor | 0 | 6A | 139 BPM | ||
| Sonata for Violin & Cello: I. Allegro ritmico | Imogen Holst, Simon Hewitt Jones, Oliver Coates | C Major | 0 | 8B | 80 BPM | ||
| Suite for String Orchestra: IV. Jig | Imogen Holst, BBC Concert Orchestra, Alice Farnham | F♯ Minor | 1 | 11A | 101 BPM | ||
| Love Bade Me Welcome | Judith Weir, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | B♭ Major | 1 | 6B | 83 BPM | ||
| Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
| Ecce quomodo moritur iustus | Jacobus Gallus, Thios Omilos | E♭ Major | 0 | 5B | 93 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM |