"Leiston Suite: IV. Slow Air. Very slow and expressive" by Imogen Holst, Onyx Brass, John Wilson had its release date on March 1, 2018. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Leiston Suite: IV. Slow Air. Very slow and expressive's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 58 in the song's album "Onyx Brass Plays Fanfares". In this album, this song's track order is #37. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Leiston Suite: IV. Slow Air. Very slow and expressive's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Leiston Suite: IV. Slow Air. Very slow and expressive by Imogen Holst, Onyx Brass, John Wilson having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Christi, Festival Mass: III. Sanctus and Benedictus | Kenneth Leighton, The Choir of The Queen's College Oxford, Owen Rees, Ben Gilchrist, Rudyard Cook | B♭ Major | 0 | 6B | 87 BPM | ||
| A Fugal Concerto, Op. 40: I. Moderato | Gustav Holst, William Bennett, Peter Graeme, English Chamber Orchestra, Imogen Holst | C Major | 2 | 8B | 136 BPM | ||
| I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
| Un beau baiser | Louis Andriessen, Ars Nova Copenhagen, Paul Hillier | C Major | 1 | 8B | 74 BPM | ||
| 7 Partsongs, Op. 44: When First We Met | Gustav Holst, The Purcell Singers, English Chamber Orchestra, Imogen Holst | E Minor | 1 | 9A | 76 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| O Weisheit | Arvo Pärt, Daniel Taylor | A Major | 0 | 11B | 74 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 124 BPM | ||
| Kyrie (From Mass in Eb) | The Concordia Choir, René Clausen | E♭ Major | 1 | 5B | 84 BPM | ||
| I Need Thee Every Hour | Laudate Mennonite Ensemble | F Minor | 0 | 4A | 79 BPM | ||
| Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
| All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 79 BPM | ||
| Requiem: Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
| All-night Vigil, Op. 37: No. 8, Praise the Name of the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | A♭ Major | 1 | 4B | 89 BPM | ||
| Dowland: First Book of Songs or Ayres: No. 5, Can She Excuse My Wrongs? | John Dowland, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | D♭ Minor | 3 | 12A | 143 BPM | ||
| Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Body of the Lord | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
| Bless the Lord, My Soul | Cyrillus Kreek, Vox Clamantis, Jaan-Eik Tulve | G Major | 0 | 9B | 83 BPM | ||
| A Boy Was Born, Op. 3: Corpus Christi Carol (arr. for lute by Jonas Nordberg) | Benjamin Britten, Ruby Hughes, Jonas Nordberg | B♭ Major | 0 | 6B | 87 BPM | ||
| Ave, dulcissima Maria | Carlo Gesualdo, The Monteverdi Choir, Jonathan Sells | D Minor | 2 | 7A | 74 BPM | ||
| I Love, Alas, I Love Thee | Thomas Morley, Apollo5 | G Major | 2 | 9B | 107 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM |