Ricardo Tanturi's ' "La Copa del Olvido" was released on its scheduled release date, April 10, 2012. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. La Copa del Olvido's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 60 in the song's album "The Roots Of Tango - Encuentro". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Germany. Based on our statistics, La Copa del Olvido's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La Copa del Olvido by Ricardo Tanturi having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Piba de los Jazmines | Ricardo Malerba | A Major | 3 | 11B | 101 BPM | ||
| Paisaje | Pedro Laurenz, Alberto Podestá | A Major | 3 | 11B | 101 BPM | ||
| Fondin de Pedro Mendoza | Juan Carlos Godoy, Ricardo Tanturi | F♯ Major | 2 | 2B | 124 BPM | ||
| Con Toda La Voz Que Tengo | Aníbal Troilo Y Su Orquesta Típica | D Major | 5 | 10B | 112 BPM | ||
| La Tupungatina | Osvaldo Pugliese | A Major | 3 | 11B | 101 BPM | ||
| Negro carbón | Quinteto Pirincho | G Major | 3 | 9B | 110 BPM | ||
| Pura Clase | Rodolfo Biagi Y Su Orquesta Tipica | D Minor | 2 | 7A | 135 BPM | ||
| El pollito | Orquesta Juan D' Arienzo | A Major | 4 | 11B | 129 BPM | ||
| Condena (S.O.S.) | Hyperion Ensemble, Ruben Peloni | E Minor | 3 | 9A | 129 BPM | ||
| Mariana | Ricardo Malerba | A Major | 3 | 11B | 101 BPM | ||
| Milonga de los Fortines | Orquesta Tipica Victor, Mariano Balcarse | A Major | 3 | 11B | 94 BPM | ||
| Lo Pasao Pasó | Carlos Di Sarli, Roberto Rufino | D Minor | 4 | 7A | 135 BPM | ||
| Reliquias porteñas | Tango Spleen Orquesta | F♯ Minor | 6 | 11A | 105 BPM | ||
| Uno | Juan D'Arienzo, Héctor Mauré | A Major | 3 | 11B | 101 BPM | ||
| Junto a Tu Corazón | José García Y Sus Zorros Grises | A Major | 3 | 11B | 101 BPM | ||
| Buscandote | Orquesta Typica Osvaldo Fresedo, Ricardo Ruiz | D Major | 1 | 10B | 122 BPM | ||
| Muy Suave | Domingo Federico | A Major | 3 | 11B | 101 BPM | ||
| Cascabelito | Carlos Di Sarli, Roberto Rufino | C Minor | 2 | 5A | 127 BPM | ||
| A Media Luz | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Major | 6 | 9B | 139 BPM | ||
| Mi Romance | Ricardo Tanturi | A Major | 3 | 11B | 101 BPM | ||
| Todo | Carlos Di Sarli, Roberto Rufino | C Minor | 4 | 5A | 125 BPM | ||
| Recién | Orquesta Típica Tanturi, Hugo Araujo | G Major | 3 | 9B | 131 BPM | ||
| La Bicoca | Juan D'Arienzo y su Orquesta Típica | D Major | 5 | 10B | 138 BPM | ||
| Verdemar | Carlos Di Sarli, Roberto Rufino | E Minor | 4 | 9A | 118 BPM | ||
| Nochero Soy | Color Tango | A Minor | 3 | 8A | 116 BPM |