Brad Fiedel's ' "Into The Steel Mill - Remastered 2017" was released on its scheduled release date, January 1, 1991. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Terminator 2: Judgment Day (Remastered 2017)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. Based on our statistics, Into The Steel Mill - Remastered 2017's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Into The Steel Mill - Remastered 2017 by Brad Fiedel having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sarah Dream - Remastered 2017 | Brad Fiedel | D♭ Major | 3 | 3B | 79 BPM | ||
| Winning the War | Christophe Beck | D Major | 1 | 10B | 85 BPM | ||
| Opening Titles / Blood Drips | David Julyan | D♭ Major | 1 | 3B | 116 BPM | ||
| Kirk's Death | Dennis McCarthy | C Major | 0 | 8B | 87 BPM | ||
| First Step | Nick Glennie-Smith | D Major | 3 | 10B | 83 BPM | ||
| Insequi | Mark Snow | D♭ Major | 9 | 3B | 160 BPM | ||
| Dream Attack | Charles Bernstein | D♭ Major | 9 | 3B | 160 BPM | ||
| Working Joes | The Flight, Christian Henson | D♭ Major | 9 | 3B | 164 BPM | ||
| THEME FROM TERMINATOR 2 | The Starlite Orchestra & Singers | D Minor | 2 | 7A | 80 BPM | ||
| Debris | Steven Price | A Major | 4 | 11B | 132 BPM | ||
| Back In Business | Trevor Rabin | C Major | 2 | 8B | 92 BPM | ||
| Terminator II Theme | The Blue Orchestra | G Major | 5 | 9B | 172 BPM | ||
| It's All a Deep End | Paul Leonard-Morgan | A Major | 2 | 11B | 100 BPM | ||
| Suite From Within The Serpent's Grasp | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Broadcast Attack | Harold Faltermeyer | A Major | 6 | 11B | 140 BPM | ||
| Anarchy | Trevor Rabin | F Minor | 6 | 4A | 77 BPM | ||
| Epilogue | John Harrison | D♭ Major | 5 | 3B | 136 BPM | ||
| Firenze Di Notte | Martin Tillmann, Mel Wesson, The Lyndhurst Orchestra, Gavin Greenaway | D Major | 6 | 10B | 66 BPM | ||
| No Escape | Charles Bernstein | G Major | 5 | 9B | 134 BPM | ||
| Helicopter Chase - Remastered 2017 | Brad Fiedel | D Minor | 7 | 7A | 140 BPM | ||
| Tanker Chase - Remastered 2017 | Brad Fiedel | B♭ Minor | 9 | 3A | 130 BPM | ||
| Reese & Sarah in Garage | Brad Fiedel | A Major | 4 | 11B | 88 BPM | ||
| Judgement Time | Paul Leonard-Morgan | G Major | 2 | 9B | 95 BPM | ||
| Day One | Aliza Mammadova, Aliza | F♯ Major | 2 | 2B | 89 BPM | ||
| Terminator II Judgement Day - Terminator Main Title | Various Artists | D Minor | 1 | 7A | 90 BPM |