- BPM
- 63
- Key
- F Major
- Camelot
- 7B
Gluck（グルック）：精霊の踊り by Christoph Willibald Gluck, Marcello Rota, Czech National Symphony Orchestra Song Details
"Gluck（グルック）：精霊の踊り" by Christoph Willibald Gluck, Marcello Rota, Czech National Symphony Orchestra had its release date on April 3, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 70 in A to Z クラシック 70 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Gluck（グルック）：精霊の踊り is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Gluck（グルック）：精霊の踊り by Christoph Willibald Gluck, Marcello Rota, Czech National Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -27.734 dB
- Acousticness
- 96%
- Danceability
- 10%
- Energy
- 3%
- Instrumentalness
- 77%
- Liveness
- 9%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 14%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | |
 | Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | |
 | Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | |
 | The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | |
 | Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | |
 | The Seasons, Op. 37a: VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 76 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | |
 | Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | |
 | Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | |
 | Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | D Minor | 1 | 7A | 100 BPM | |
 | The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 72 BPM | |
 | Sicilienne (Arr. by Söllscher) | Maria Theresia von Paradis, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 112 BPM | |
 | El cant dels ocells (Version for Cello & Orchestra) | Pablo Casals, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | D Major | 0 | 10B | 128 BPM | |
 | Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Renaud Capuçon | A♭ Major | 2 | 4B | 89 BPM | |
 | Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | |
 | Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim | E♭ Major | 0 | 5B | 56 BPM | |
 | Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | |
 | Wiegenlied, AV 41 | Richard Strauss, James Ehnes, Andrew Armstrong | D Major | 1 | 10B | 88 BPM | |
 | Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | |
 | Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 111 BPM |
- ISRC
- JPVI00908970
- Label
- L-M Records/RCA Records