Shelly Manne's 'This Is Always' had a release date set for January 25, 2011. This song appears to be safe for all ages as it is not explicit. There are a total of 26 in the song's album "San Francisco 1959". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, This Is Always is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With This Is Always by Shelly Manne having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glad I met Pat | Duke Jordan | E♭ Major | 4 | 5B | 171 BPM | ||
| Danny Boy | Bill Evans, Shelly Manne | D Minor | 0 | 7A | 97 BPM | ||
| Ornithology | Barry Harris Trio | D Major | 5 | 10B | 113 BPM | ||
| Seascape | Bill Evans Trio | G Major | 1 | 9B | 70 BPM | ||
| Dat Dere (Live) | Bobby Timmons Trio | A♭ Major | 1 | 4B | 147 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| Angie | Kenny Drew | F Major | 1 | 7B | 63 BPM | ||
| Daahoud | Ray Bryant Trio | A♭ Major | 3 | 4B | 105 BPM | ||
| Jordu | Barney Kessel, Ray Brown, Shelly Manne | A♭ Major | 1 | 4B | 124 BPM | ||
| On the Street Where You Live | Shelly Manne And His Friends, André Previn | D Major | 0 | 10B | 112 BPM | ||
| Whisper Not | Junior Mance | G Minor | 3 | 6A | 126 BPM | ||
| Bag's Groove | Oscar Peterson Trio | C Major | 0 | 8B | 103 BPM | ||
| Glad I met Pat | Duke Jordan | E♭ Major | 4 | 5B | 185 BPM | ||
| Gigi | André Previn, Shelly Manne, Red Mitchell | C Major | 0 | 8B | 125 BPM | ||
| Goodbye | McCoy Tyner Trio | C Major | 1 | 8B | 55 BPM | ||
| Never Let Me Go | Roy Hargrove Quintet | D Minor | 0 | 7A | 51 BPM | ||
| Blue And Sentimental | Oscar Peterson | E♭ Minor | 1 | 2A | 70 BPM | ||
| Our Delight - Live | Shelly Manne | D Major | 0 | 10B | 112 BPM | ||
| Misty | Bob Brookmeyer | E♭ Minor | 1 | 2A | 54 BPM | ||
| Not Really the Blues - From Vol. 1, "Hollywood, March 1, 1955" | Shorty Rogers, Jimmy Giuffre, Pete Jolly, Curtis Counce, Shelly Manne | E♭ Major | 4 | 5B | 142 BPM | ||
| Speak Low | McCoy Tyner Trio | C Major | 3 | 8B | 142 BPM | ||
| You'd Be So Nice To Come Home To - Rudy Van Gelder Edition; 2007 Digital Remaster | Paul Chambers | B♭ Major | 2 | 6B | 170 BPM | ||
| Embraceable You - 1990 Remaster | Bud Powell Trio | D Minor | 0 | 7A | 97 BPM | ||
| 'Round Midnight | Wes Montgomery Trio | E♭ Minor | 1 | 2A | 118 BPM | ||
| Nancy (With The Laughing Face) | John Coltrane Quartet | F Major | 1 | 7B | 116 BPM |