- BPM
- 125
- Key
- C Major
- Camelot
- 8B
Gigi by André Previn, Shelly Manne, Red Mitchell Song Details
"Gigi" by André Previn, Shelly Manne, Red Mitchell had its release date on 1959. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The track order of this song in André Previn's "Gigi" album is number 7 out of 8. On top of that, United States appears to be the country where this track was created. Based on our statistics, Gigi's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Gigi by André Previn, Shelly Manne, Red Mitchell to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -29.4 dB
- Acousticness
- 98%
- Danceability
- 43%
- Energy
- 2%
- Instrumentalness
- 93%
- Liveness
- 8%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | |
 | Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | |
 | The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | |
 | Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto | Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | |
 | Csardas: Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 170 BPM | |
 | The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | |
 | Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | |
 | Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 100 BPM | |
 | Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
 | Adagio For Strings And Organ In G Minor | Remo Giazotto, Berliner Philharmoniker, Herbert von Karajan, David Bell, Leon Spierer | C Minor | 1 | 5A | 81 BPM | |
 | Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nuremberg Symphony Orchestra | C Major | 9 | 8B | 85 BPM | |
 | Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 74 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 68 BPM | |
 | Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | |
 | Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | |
 | Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | |
 | Sirens | Émile Waldteufel, Victor Makarov, Exemplary Orchestra of Interior Forces of USSR MOI | F Major | 2 | 7B | 182 BPM | |
| Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | |
 | Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | B Minor | 1 | 10A | 62 BPM | |
| Don Quixote: Act III: Classical Variation II | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Minor | 1 | 4A | 98 BPM | |
 | Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM |
- ISRC
- USFI85800700
- Label
- L-M Records/RCA Records