Howard Goodall, Stephen Darlington, London Musici's ' "Eternal Light: A Requiem (2008): Revelation: Factum est silentium" was released on its scheduled release date, September 1, 2008. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Eternal Light: A Requiem (2008): Revelation: Factum est silentium's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 13 in Eternal Light: A Requiem by Howard Goodall, Stephen Darlington, London Musici. Based on our statistics, Eternal Light: A Requiem (2008): Revelation: Factum est silentium's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Eternal Light: A Requiem (2008): Revelation: Factum est silentium by Howard Goodall, Stephen Darlington, London Musici is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Venatorum: Benedictus | Orlande de Lassus, Christ Church Cathedral Choir, Stephen Darlington | A♭ Major | 0 | 4B | 97 BPM | ||
| Love-in-Idleness | Howard Goodall, National Youth Music Theatre, Alastair Kirby, Barney Evans Doran, Clement Leek, Fionn Cox-Davies, Gregg Lowe, James Nitti, Jamie Campbell Bower, Jordan Metcalfe, Matt Robertson, Nik Waterman, Oliver Sones, Ollie Pengelly | D Minor | 1 | 7A | 99 BPM | ||
| They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Minor | 0 | 8A | 136 BPM | ||
| Misatango, Misa a Buenos Aires: XI. Sanctus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 96 BPM | ||
| Ich bin der Welt abhanden gekommen - arr. for choir by Clytus Gottwald | Gustav Mahler, The Rodolfus Choir, Ralph Allwood | D♭ Major | 1 | 3B | 73 BPM | ||
| Eternal Light: A Requiem (2008): Revelation: Factum est silentium | Howard Goodall, Stephen Darlington, London Musici | C Minor | 2 | 5A | 142 BPM | ||
| Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
| Songs of Farewell: My Soul, There is a Country | Hubert Parry, Tenebrae, Nigel Short | G Major | 1 | 9B | 77 BPM | ||
| Psalm 100, "Jauchzet dem Herrn, all Welt" | Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss | F Major | 1 | 7B | 95 BPM | ||
| A Child's Prayer | James MacMillan, Rakel Edda Guðmundsdóttir, Ragnheiður Sara Grímsdóttir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | E Minor | 1 | 9A | 129 BPM | ||
| All-Night Vigil, Op. 37: V. Lord, Now Lettest Thou Thy Servant Depart in Peace | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Frank Fleschner | F♯ Major | 1 | 2B | 75 BPM | ||
| Salvation is Created | Pavel Chesnokov, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | D Major | 1 | 10B | 108 BPM | ||
| The Lamb | John Tavener, Vasari Singers, Jeremy Backhouse | E Minor | 0 | 9A | 183 BPM | ||
| The Isle Is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Kjell Mørk Karlsen: O Magnum Mysterium | Kjell Mørk Karlsen, Schola Cantorum, Tone Bianca Sparre Dahl | B Minor | 0 | 10A | 130 BPM | ||
| Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
| All-Night Vigil, Op. 37: II. Praise the Lord, O my soul | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Julia Scozzafava | C Major | 0 | 8B | 84 BPM | ||
| Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Paul Daniel, Lesley Garrett, Robin Blaze | F Minor | 1 | 4A | 93 BPM | ||
| Song for Athene | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 84 BPM | ||
| Virgo Virginum | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | E Minor | 3 | 9A | 93 BPM | ||
| Kodály: Mountain Nights: No. 1, Andantino | Zoltán Kodály, Ilona Andor, Kodaly Girls Choir | A Minor | 0 | 8A | 136 BPM | ||
| Charles Villiers Stanford: The blue bird | Lumen Valo | F♯ Major | 0 | 2B | 171 BPM | ||
| Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM | ||
| All-Night Vigil, Op. 37: III. Blessed is the man | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | D♭ Minor | 0 | 12A | 76 BPM |