On May 20, 1998, the song "Gaadi Air Lelas" was released by Tara Rani. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in Tara Rani's "Gaadi Eyar Lelas" album is number 2 out of 10. On top of that, India appears to be the country where this track was created. Gaadi Air Lelas is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gaadi Air Lelas by Tara Rani to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lehari Anahad | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Sharan Buddhala Aali | Anand Shinde | F Minor | 5 | 4A | 102 BPM | ||
| RADHA DHUNDH RAHI | Nidhi Dholkiya | F Minor | 7 | 4A | 174 BPM | ||
| Mirza Jatt | Alam Lohar, Charanjit K. Bhamra | B♭ Major | 4 | 6B | 158 BPM | ||
| Dil Vich Vasna Enh | Naseebo Lal | D♭ Major | 5 | 3B | 84 BPM | ||
| Kaike Gavanwa Bhawanwa Ke Tyageli | Tara Rani | A♭ Major | 5 | 4B | 160 BPM | ||
| Tu Mati Ka Gudda Me Sone Ki | Bhagat Raja, Pooja Masum | F♯ Minor | 7 | 11A | 91 BPM | ||
| Pimplachaya Panavar | Prahlad Shinde | A♭ Major | 5 | 4B | 91 BPM | ||
| Ek Aankh Marab Hole | Pawan, Pankaj | G Major | 4 | 9B | 185 BPM | ||
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Gouri Ke Nanda Gajannad -7 | Prakash Mali | D Minor | 8 | 7A | 101 BPM | ||
| Mere Sir Par Sada Tera Hath Rahe | Adhishta Anushka | C Major | 10 | 8B | 145 BPM | ||
| Bol Mat Bol Dekh Ke | Tara Rani | B Major | 6 | 1B | 97 BPM | ||
| Patli Kamar Ke Salam Karuche | Santanu Sahu | B♭ Minor | 9 | 3A | 133 BPM | ||
| Masiyan Di Raat Kali | Surinder Kaur | F Minor | 9 | 4A | 100 BPM | ||
| O Dardan Waari Dil | Mumtaz Lashari | E Minor | 8 | 9A | 109 BPM | ||
| Irham Lana | Hamza Akram Qawwal, Taimoor Akram, Abdul Akram | G Minor | 7 | 6A | 100 BPM | ||
| Lal Langoto Haath Main Soto | Manish Tiwari | F♯ Major | 4 | 2B | 131 BPM | ||
| उस गोरखनाथ फकीर ने बागा में चिमटा गाड दिया | Ma.Rajphool Kuchrania | B Major | 6 | 1B | 144 BPM | ||
| Chan Kithe Guzari Ayeerat | Surinder Kaur | F Minor | 6 | 4A | 142 BPM | ||
| Dudh Te Dodhiya | Balkar Ankhila, Manjinder Gulshan | B♭ Major | 8 | 6B | 99 BPM | ||
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| Raja Aaja Aab Aaja | Arvind Singh Abhiyanta, Kamalwas Kuwar Vyas | F♯ Major | 8 | 2B | 156 BPM | ||
| Saadhu Bhai Loot Bahar | Tara Rani | C Major | 5 | 8B | 134 BPM | ||
| Kera Bhusabal Wale | Jittu Khare, Laxmi Singh Thakur | B♭ Minor | 7 | 3A | 88 BPM |