On March 26, 2002, the song "Janni Nithoor Bisrayih Na Lalanwa" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Ek Hi Bharos Mora Seeta Ram Ke by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Janni Nithoor Bisrayih Na Lalanwa's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Janni Nithoor Bisrayih Na Lalanwa by Madan Rai is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thoorpu Konda Veligi | Gangaputra Narasinga Rao | A Minor | 8 | 8A | 77 BPM | ||
| Supalaai Ta Pithi | Preetam Bhartwan | F Major | 6 | 7B | 204 BPM | ||
| Aail Budhauti Baaki | Madan Rai | A♭ Major | 6 | 4B | 137 BPM | ||
| Hariyar Doliya Me Lalka | Bharat Sharma | E♭ Minor | 7 | 2A | 149 BPM | ||
| Radha Rani Ke Payaliya | Pawan Singh | B♭ Minor | 10 | 3A | 145 BPM | ||
| Aaja Mere Kanhaiya | Sanjay Mital | A Minor | 5 | 8A | 126 BPM | ||
| Babe Aali Mata | Ghulam Mohammad | F Major | 9 | 7B | 80 BPM | ||
| Bhej Mati Panghat | Gopal Rai | A♭ Major | 6 | 4B | 170 BPM | ||
| Laga Ke Aas Main Baitha Hoon | Rajesh Chandra | D♭ Major | 8 | 3B | 141 BPM | ||
| Jai Jai Bhairavi | Dilip Darbhangiya | D♭ Major | 10 | 3B | 107 BPM | ||
| Piya Mora Leke Aile | Madan Rai | F♯ Major | 7 | 2B | 103 BPM | ||
| Shiv Shambhu Bam Bam | Lakhbir Singh Lakkha | F♯ Major | 8 | 2B | 108 BPM | ||
| Duniya Me Datar Bado Mhara Praniya - Guru Jambheswar Bhagwan Ki Sakhi | Swami Sachchidanand Acharya | D♭ Major | 8 | 3B | 112 BPM | ||
| Choli Mein Tahra Rang Dalem | Guddu Rangila | D♭ Minor | 6 | 12A | 100 BPM | ||
| Paagal Hamaar Kaile Biya Matiya | Madan Rai | F♯ Minor | 5 | 11A | 160 BPM | ||
| Photo Dhaile Bani | Rakesh Tiwari | E♭ Minor | 9 | 2A | 150 BPM | ||
| Kaya Nagar Re Bich | Moinuddin Manchala | D♭ Major | 8 | 3B | 92 BPM | ||
| Mere Manwa Kya Hai Jag Mein Tera | Pt. Gyanendra Sharma | D Major | 3 | 10B | 81 BPM | ||
| Ola Ola Zalo Mi | Yuvraj Pradhan | F♯ Minor | 9 | 11A | 85 BPM | ||
| Piya Main To Basanti Bayaar | MANOJ TIWARI | G Major | 6 | 9B | 116 BPM | ||
| Hari Ka Bhajan Kar Le | Pt. Gyanendra Sharma | G Minor | 7 | 6A | 87 BPM | ||
| Parichin Chaliyo Sakhi | Poonam Mishra | C Major | 8 | 8B | 153 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| Maihar Wali Maiya | MANOJ TIWARI | C Major | 5 | 8B | 145 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM |