On February 12, 2002, the song "Piya Main To Basanti Bayaar" was released by MANOJ TIWARI. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 7 in Chadhte Phagunwan by MANOJ TIWARI, Tripti Shakya. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Piya Main To Basanti Bayaar is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Piya Main To Basanti Bayaar by MANOJ TIWARI is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhapi Da Ye Nando Kamar Par Haradiya | Karina Pandey, Sovita Pandey | B♭ Minor | 8 | 3A | 85 BPM | ||
| Amar Para Porshe Sobai | Emon Khan | F♯ Minor | 3 | 11A | 82 BPM | ||
| Saajan Mere | Devi | A Major | 8 | 11B | 90 BPM | ||
| Mai Ae Ayodhya | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Bhukh Lagi T Khiyawe Pari Pizza Raja Ji | Karina Pandey | B♭ Minor | 7 | 3A | 150 BPM | ||
| Miyandeen Ke Arhari Mein | Diwakar Dwivedi | F Minor | 9 | 4A | 126 BPM | ||
| Naval Dulha (Parichhan) | Sharda Sinha | F♯ Major | 4 | 2B | 83 BPM | ||
| Sun Re Patarki Gorki Sanvarki | MANOJ TIWARI, Madhushree | A Major | 8 | 11B | 128 BPM | ||
| Godi Ke Balkwa | Khushbu Singh, Babita Sagar | D♭ Major | 10 | 3B | 150 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM | ||
| Hare Hare Dubhiya | Sharda Sinha | F♯ Major | 4 | 2B | 102 BPM | ||
| Ae Sapera Bin Bajawa | Alka Jha, Pawan Singh | F♯ Minor | 9 | 11A | 100 BPM | ||
| Kaida Bihaaro Pa Najaria (From "Bandhan Toote Na") | MANOJ TIWARI, Indu Sonali, Anand Mohan | D♭ Major | 9 | 3B | 176 BPM | ||
| Ankho Ka Kajal || Old Sambalpuri | Old Sambalpuri | F♯ Major | 9 | 2B | 81 BPM | ||
| Hey Gaura Toharo Sajanwa Na | Kunj Bihari Mishr | A♭ Major | 9 | 4B | 173 BPM | ||
| Dulhaniya | Jittu Khare Badal | F Minor | 9 | 4A | 125 BPM | ||
| Paijama Khuti Par | Arvind Akela Kallu Ji, Rupa | C Major | 10 | 8B | 158 BPM | ||
| Maihar Se Chunari | MANOJ TIWARI | D♭ Major | 5 | 3B | 154 BPM | ||
| Joda Shaalik Dekha Bhaal | Parikshit Bala | A Minor | 6 | 8A | 172 BPM | ||
| Amwa Ke Mujra Se Ras Chuwela | Jyoti Mahi | E♭ Minor | 9 | 2A | 111 BPM | ||
| Sadiya Lai Da Balam Calcutiya | Indu Sonali, Koras | F♯ Major | 10 | 2B | 125 BPM | ||
| Parichin Chaliyo Sakhi | Poonam Mishra | C Major | 8 | 8B | 153 BPM | ||
| Pyar Ke Baad Judai Ke Baat | Radhe Shyam Rasiya, Priyanka | F♯ Major | 7 | 2B | 174 BPM | ||
| Sunu Sunu Bhola | Amit Jha | F♯ Major | 5 | 2B | 147 BPM | ||
| Jaadu Chala Gail Aapan Bana Gail (From "Nirhua Mail") | Mohan Rathore | A♭ Minor | 7 | 1A | 128 BPM |