Sharda Sinha's ' "Naval Dulha (Parichhan)" was released on its scheduled release date, December 10, 2003. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 2 out of 8 in Anmol Dulha by Sharda Sinha. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Naval Dulha (Parichhan) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Naval Dulha (Parichhan) by Sharda Sinha is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Namah Shivay - Maithili | Sharda Sinha, Vandana Sinha | D♭ Minor | 6 | 12A | 154 BPM | ||
| Dhokebaaz Ge | Aashish Yadav | C Major | 9 | 8B | 85 BPM | ||
| Duariya Debi Maie Pujariya Nach Laagal | Varsha Tiwari | D♭ Major | 9 | 3B | 130 BPM | ||
| Maatge He Bagiya Ma Phool | Mamta Chandrakar, Sonu Nigam, Mithlesh, Purvi Chandrakar | E Major | 6 | 12B | 78 BPM | ||
| Wahi Chatuva | Swang Dewakar | F Minor | 9 | 4A | 124 BPM | ||
| Jab Ghadiya Bajave Sadhe Chaar | Suresh Wadkar, Alka Yagnik | F♯ Major | 7 | 2B | 155 BPM | ||
| Kahava Ke Yadav Ji Byapari | Aashish Yadav | B♭ Minor | 8 | 3A | 85 BPM | ||
| Van Ke Koiliya | Sharda Sinha | A♭ Major | 2 | 4B | 97 BPM | ||
| Tohra La Kehu Jiyela | Karina Pandey | F♯ Major | 7 | 2B | 137 BPM | ||
| Bwrwi Mwnbaonw | Sulekha Basumatary, Gautam Brahma | A♭ Major | 8 | 4B | 92 BPM | ||
| KAISAN NASEEB | Priyanka Singh | F Minor | 10 | 4A | 120 BPM | ||
| Khol Mandriya Ke Gate | Kalpana | F♯ Major | 6 | 2B | 94 BPM | ||
| Babul Ka Ghar | Sharda Sinha | F♯ Minor | 9 | 11A | 120 BPM | ||
| Durga Dai Ke Bhuwan | Dukalu Yadav | G Minor | 8 | 6A | 100 BPM | ||
| Aage Aage Paduthiba Khai Kaudi | Namita Agrawal | G Minor | 7 | 6A | 144 BPM | ||
| Ek Din Maati Bheetar Hoi Tohaar Ghar | MANOJ TIWARI | G Major | 3 | 9B | 74 BPM | ||
| Asra Dhara Ke Dhokha Kail | Gopal Rai | G Minor | 7 | 6A | 116 BPM | ||
| O Mui | Rohima Begum, Nozrul Islam | F Major | 6 | 7B | 116 BPM | ||
| Thaarala Naduma | Gangaputra Narasinga Rao | B♭ Minor | 7 | 3A | 84 BPM | ||
| Janwa Rog Ke Dawai | Bharat Sharma Vyas | B♭ Major | 6 | 6B | 161 BPM | ||
| Sadiya Lai Da Balam Calcutiya | Indu Sonali, Koras | F♯ Major | 10 | 2B | 125 BPM | ||
| Najriyan Na Lage | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Maihar Se Chunari | MANOJ TIWARI | D♭ Major | 5 | 3B | 154 BPM | ||
| Ae Pandey Ji Kahe Aankh Maratani | Vinod Rathod, Rekha Rao | A♭ Minor | 9 | 1A | 127 BPM | ||
| Hum Ta Mangni | Sharda Sinha | E Minor | 5 | 9A | 81 BPM |