On May 28, 1998, the song "Asra Dhara Ke Dhokha Kail" was released by Gopal Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Dahele Sanwarki by Gopal Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Asra Dhara Ke Dhokha Kail is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Asra Dhara Ke Dhokha Kail by Gopal Rai is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chausath Jogani | Prem Nath | E Minor | 10 | 9A | 80 BPM | ||
| Agar Dil Kisi Ka | Parmod Kumar | F♯ Major | 7 | 2B | 84 BPM | ||
| Piya Main To Basanti Bayaar | MANOJ TIWARI | G Major | 6 | 9B | 116 BPM | ||
| Sai Sevakchi Palkhi Chalali Shirdi Gavi | Jayesh Parab | A♭ Major | 9 | 4B | 180 BPM | ||
| Phir Se Ek Baar Haar Aaya Hoon | Rajni Rajasthani | D♭ Minor | 6 | 12A | 102 BPM | ||
| Aaya Aaya Bhagat Thaare Dwaar | Gopal Bajaj | A♭ Major | 8 | 4B | 171 BPM | ||
| Jhuru Jhuru Puruwa | Gopal Rai | C Minor | 5 | 5A | 104 BPM | ||
| Tujhe Kya Mila | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM | ||
| Byalu Kijo Din Dayal | Jaya Kishori ji | F Minor | 7 | 4A | 146 BPM | ||
| Chhod Ke Parhal Ae Sanwaru | Gopal Rai | F♯ Major | 10 | 2B | 145 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| PYARA PYARA SHYAM JI | Saurabh Aggarwal, Vishesh Bhanderi | A♭ Major | 8 | 4B | 95 BPM | ||
| Andha Khora Boba | Manna Dey | B♭ Major | 8 | 6B | 92 BPM | ||
| Tor Maya Ke Boli Khatir | Mamta Chandrakar, Mithalesh, Kuleshwar | F♯ Major | 6 | 2B | 80 BPM | ||
| Ha Ta Gaadi Ba, Fail Kaili Tata Safari | MANOJ TIWARI | D♭ Minor | 6 | 12A | 166 BPM | ||
| Sunder Kand Ka Part Karo | Ranjeet Raja | B♭ Major | 9 | 6B | 130 BPM | ||
| Aayi Ja Thakura Maiyya Bulandi | Komal Sharma | A♭ Major | 7 | 4B | 170 BPM | ||
| Valo Lageche Paghdi Valo | Farida Mir | D♭ Major | 7 | 3B | 146 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Jaise Sohagin Haathe | Vishnu Ojha | A♭ Major | 8 | 4B | 172 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM | ||
| Chet Re Nar Chet | Bhawani Sk | G Major | 6 | 9B | 152 BPM | ||
| Tap Chahe Jitna Kar Le | Pt. Gyanendra Sharma | C Major | 7 | 8B | 120 BPM | ||
| Tera Khana Kharab - Sawal | Chhote Yusuf Azad | G Major | 5 | 9B | 99 BPM | ||
| Chal Chandrapur Jabo | Dukalu Yadav | A♭ Minor | 9 | 1A | 80 BPM |