"Jane Eyre, Act II: Mrs Rochester's wordless singing" by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Emily Bauer-Jones had its release date on September 1, 2002. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 20 in Berkeley: Jane Eyre by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Fflur Wyn, Beverley Mills, Emily Bauer-Jones, Andrew Slater. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Jane Eyre, Act II: Mrs Rochester's wordless singing is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jane Eyre, Act II: Mrs Rochester's wordless singing by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Emily Bauer-Jones is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A Major | 1 | 11B | 47 BPM | ||
| Two Part Invention in D Minor | Emerson, Lake & Palmer | D Minor | 1 | 7A | 97 BPM | ||
| 25 Scottish Songs, Op. 108: No. 2, Sunset | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 110 BPM | ||
| Among the Living | Mystery | D Major | 2 | 10B | 117 BPM | ||
| Mediterranean C - 2023 Remix | Richard Wright, Steven Wilson | D Major | 1 | 10B | 120 BPM | ||
| Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
| The Fall Of The House Of Usher: Prelude | The Alan Parsons Project | C Major | 1 | 8B | 80 BPM | ||
| September Fifteenth | Pat Metheny, Lyle Mays | A♭ Minor | 7 | 1A | 94 BPM | ||
| Last Forever | Philip Glass, Paul Leonard-Morgan | F Major | 2 | 7B | 84 BPM | ||
| The Sage - Live At Newcastle City Hall, 1971 | Emerson, Lake & Palmer | A Minor | 0 | 8A | 109 BPM | ||
| Tunnel 13 | Mark Knopfler | B Minor | 2 | 10A | 78 BPM | ||
| Lectio prima, LV 209: Parce mihi domine | Orlande de Lassus, La Tempête, Simon-Pierre Bestion | A Minor | 5 | 8A | 100 BPM | ||
| Horn Concerto: I. Free and dreamy, as though improvised - Malizioso | Michael Berkeley, Richard Hickox, BBC National Orchestra Of Wales, David Pyatt | B Minor | 2 | 10A | 77 BPM | ||
| Concerto for oboe & strings (1977): III. Elegy. In Memoriam Benjamin Britten. Andantino | Michael Berkeley, Janet Craxton, Raymond Leppard, BBC Northern SO | F♯ Major | 1 | 2B | 80 BPM | ||
| Blues for the End of Time | Jools Holland, David Gilmour, Dhani Harrison | F Minor | 4 | 4A | 136 BPM | ||
| Flume | Peter Gabriel | B Major | 0 | 1B | 81 BPM | ||
| Baa Baa Black Sheep, Act I Scene 4: The Education of Mowgli. I will feed him (Mother Wolf, Father Wolf, Ka, Baloo, Bagheera, Grey | Michael Berkeley, Paul Daniel, English Northern Philharmonia, George Mosley, Eileen Hulse, Malcolm Lorimer, Mark Holland, Ann Taylor-Morley, Clive Bayley | D Major | 2 | 10B | 109 BPM | ||
| Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Pierre Génisson, Bruno Fontaine | D Minor | 0 | 7A | 121 BPM | ||
| Hairless Heart - 2007 Stereo Mix | Genesis | B♭ Major | 4 | 6B | 121 BPM | ||
| Cage: In a Landscape | John Cage, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM | ||
| Bernstein: West Side Story: Somewhere (Arr. Penaforte for Violin and Piano) | Leonard Bernstein, Augustin Hadelich, Orion Weiss | E Major | 1 | 12B | 99 BPM | ||
| Life On Mars | Rick Wakeman | B♭ Major | 2 | 6B | 134 BPM | ||
| Touch Light - for soprano, countertenor and string quartet | Michael Berkeley, The Marian Consort, Berkley Ensemble, Zoe Brookshaw, Rory McCleery, David Wordsworth | G Major | 1 | 9B | 75 BPM | ||
| Revolution of Love | Majid Montazer, Giora Feidman | D Minor | 1 | 7A | 136 BPM | ||
| Winter Fragments: VI. Silent And Soft | Michael Berkeley, Henry Wadsworth Longfellow, Fleur Barron, Berkeley Ensemble, Dominic Grier | D♭ Major | 0 | 3B | 111 BPM |