"The Planets, Op. 32: III. Mercury, the Winged Messenger" by Gustav Holst, Los Angeles Philharmonic, Zubin Mehta had its release date on January 1, 2000. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Los Angeles Philharmonic, Zubin Mehta's "Holst: The Planets / John Williams: Close Encounters of the Third Kind - suite, etc." album is number 3 out of 9. On top of that, United Kingdom appears to be the country where this track was created. The Planets, Op. 32: III. Mercury, the Winged Messenger is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: III. Mercury, the Winged Messenger by Gustav Holst, Los Angeles Philharmonic, Zubin Mehta to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | G Major | 2 | 9B | 90 BPM | ||
| Symphonie espagnole, Op. 21: V. Rondo. Allegro | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
| Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | C Major | 2 | 8B | 140 BPM | ||
| Pageant | Vincent Persichetti, John P. Paynter, Northwestern University Wind Ensemble | B♭ Major | 2 | 6B | 135 BPM | ||
| The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 67 BPM | ||
| Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
| The Rite of Spring, K15, Pt. 2: X. Mystic Circles of the Adolescents | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 67 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
| The Planets Suite, Op. 32: I. Mars | Gustav Holst, Vladimir Jurowski, London Philharmonic Choir, London Philharmonic Orchestra, Neville Creed | A♭ Major | 0 | 4B | 137 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: I. Trauermarsch | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Minor | 1 | 12A | 122 BPM | ||
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
| Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
| Symphony No. 2, Op. 30 "Romantic": I. Adagio - Allegro moderato | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 129 BPM | ||
| Give Us This Day: I. — | David Maslanka, The University of Texas Wind Ensemble, Jerry Junkin | E♭ Major | 0 | 5B | 170 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | G Major | 3 | 9B | 81 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Minor | 0 | 9A | 68 BPM | ||
| Wine-Dark Sea (Symphony for Band): I. Hubris | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | E♭ Major | 1 | 5B | 65 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | B♭ Major | 0 | 6B | 66 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, III. Final Dance - Jota | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
| Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: II. Allegro – Meno mosso | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 0 | 3B | 117 BPM | ||
| Daphnis et Chloé, M. 57, Pt. 2: VIII. Danse guerrière | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Major | 1 | 3B | 94 BPM |