Andiamo's ' "Arrivederci Roma" was released on its scheduled release date, January 1, 2009. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Andiamo's "Love, from Italy" album is number 13 out of 13. Based on our statistics, Arrivederci Roma's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Arrivederci Roma by Andiamo to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen (1997 - Remaster), Act II: Eh bien! vite, quelles nouvelles?.....Nous avons en tête un affaire | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 2 | 4A | 83 BPM | ||
| La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
| Galway Bay | Colehan, Josef Locke, Debroy Somers | E♭ Major | 2 | 5B | 92 BPM | ||
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Sevgili Canan | Muslim Magomayev | A♭ Major | 3 | 4B | 88 BPM | ||
| Cuore mio | Fabrizio Cesare, Antonello Bille | D♭ Major | 4 | 3B | 130 BPM | ||
| El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri | G Major | 4 | 9B | 116 BPM | ||
| Das Land des Lächelns - II | Richard Tauber, Franz Lehár, Radio Orchester Beromünster | D♭ Major | 2 | 3B | 85 BPM | ||
| Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
| Gounod: Faust, Act 1: Récitatif. "Mais ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Molinos de Viento: Dúo y serenata: ¿Qué canto... | Marcos Redondo, Delfín Pulido | F Major | 2 | 7B | 76 BPM | ||
| TZM Rework - Strck Remix | Andiamo, Strck | A♭ Major | 9 | 4B | 129 BPM | ||
| Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
| Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 81 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| La Bendita Magdalena - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | B♭ Major | 3 | 6B | 80 BPM | ||
| Bellini: I puritani: "A festa!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Un Hombre Solo | Manuel Alejandro, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM | ||
| L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | ||
| Y Detrás de Ti Besé / Yo Conozco a una Mocita | José Oto, Rondalla | C Major | 4 | 8B | 93 BPM | ||
| TZM Rework - Bombilla Remix | Andiamo, Bombilla | B♭ Major | 8 | 6B | 128 BPM | ||
| Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
| Vicerè | Amedeo Minghi | B Minor | 3 | 10A | 136 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | A♭ Major | 3 | 4B | 88 BPM |