"La Mia Letizia Infondere" by The Young Pavarotti had its release date on April 17, 2015. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. La Mia Letizia Infondere's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Young Pavarotti's "Great Operas" album is number 9 out of 47. On top of that, Germany appears to be the country where this track was created. Based on our statistics, La Mia Letizia Infondere's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Mia Letizia Infondere by The Young Pavarotti to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | ||
| Les Voici! Voici La Quadrille (Carmen) | Georges Bizet, Choir and Orchestra of the Budapest State Opera | F Major | 1 | 7B | 77 BPM | ||
| Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
| Come Poteva Un Angelo | The Young Pavarotti | E♭ Major | 1 | 5B | 91 BPM | ||
| Norma / Act I: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
| ...ella Mi Fu Rapita... Parmi Veder Le Lacrime... | The Young Pavarotti | E♭ Major | 1 | 5B | 91 BPM | ||
| La Cenerentola: "Sì, ritrovarla io giuro" | Gioachino Rossini, Javier Camarena, Les Musiciens du Prince-Monaco, Gianluca Capuano | G Major | 3 | 9B | 65 BPM | ||
| Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
| Martha: M'apparì tutt'amor | Friedrich von Flotow, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | ||
| Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Coro, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | D Major | 1 | 10B | 169 BPM | ||
| Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
| Mi par d'udire ancora (I Pescatori di Perle) | Giuseppe Di Stefano, Eduardo Moser | E Major | 2 | 12B | 91 BPM | ||
| Il trovatore, Act III: Or co' dadi | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 158 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
| Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
| Nel blu, di pinto di blu (“Volare”) | Domenico Modugno, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E♭ Major | 2 | 5B | 72 BPM | ||
| La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
| Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
| La Boheme (Ohe, la, le guardie ... Aprite!) | The Young Pavarotti | E♭ Major | 1 | 5B | 91 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| Verdi: Il Trovatore: Il balen del suo sorriso - Conte - Act Two Scene Two | Giuseppe Verdi, Piero Cappuccilli | G Major | 4 | 9B | 164 BPM | ||
| Core 'ngrato (Arr, Schifrin) - Live | Salvatore Cardillo, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | E♭ Major | 2 | 5B | 76 BPM | ||
| Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM |