Trevor Duncan, Anthony Johnson, John Everette, Jonathan Morris, Oliver Trattles's 'Narcolepsy' had a release date set for October 27, 2016. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Narcolepsy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 24 in Archive Remixed: Soundsci Edition by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Narcolepsy's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Narcolepsy by Trevor Duncan, Anthony Johnson, John Everette, Jonathan Morris, Oliver Trattles is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Of Love and Destiny | Leighton Lucas | G Minor | 2 | 6A | 64 BPM | ||
| It Can’t Be Wrong | Max Steiner, arr. Ron Goodwin, Ron Goodwin & His Concert Orchestra | F Major | 2 | 7B | 75 BPM | ||
| Sebastian's Summer | Geoffrey Burgon | G Major | 3 | 9B | 111 BPM | ||
| Pink Fizz | Albert Marland | G Major | 5 | 9B | 78 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| The Riviera Affair | Neil Richardson | C Minor | 6 | 5A | 113 BPM | ||
| Check Out | Original Soundtrack | F♯ Major | 3 | 2B | 141 BPM | ||
| Here It Comes Again | Frank Chacksfield Orchestra | G Major | 2 | 9B | 84 BPM | ||
| Rhapsody | Laurie Johnson | C Major | 3 | 8B | 98 BPM | ||
| Honey Come Back | Les And Larry Elgart | D Minor | 2 | 7A | 51 BPM | ||
| Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
| Weekend With Mary | Stelvio Cipriani | A Minor | 2 | 8A | 141 BPM | ||
| Night and Day | Cole Porter | G Major | 3 | 9B | 118 BPM | ||
| By the Sleepy Lagoon | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 77 BPM | ||
| Londonderry Air | Percy Grainger, Frederick Fennell, Eastman Rochester Pops Orchestra | E Major | 2 | 12B | 86 BPM | ||
| True Love | Cole Porter | G Major | 3 | 9B | 83 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Die Ewigen Gärten | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM | ||
| Love is a Many Splendored Thing | Sammy Fain, Hollywood Bowl Orchestra, John Mauceri | F♯ Major | 2 | 2B | 94 BPM | ||
| Introduction and Waltz (From "The Slipper And The Rose") | Angela Morely | B♭ Major | 2 | 6B | 83 BPM | ||
| 「八甲田山」 終焉 | 芥川也寸志, Taizo Takemoto, Japan Philharmonic Orchestra | B♭ Major | 2 | 6B | 134 BPM | ||
| En Cas De Malheur: Thème D'Amour | René Cloërec | C Minor | 4 | 5A | 76 BPM | ||
| I'll Take You Home Again Kathleen | Living Strings | G Major | 2 | 9B | 97 BPM | ||
| Little Debbie | Trevor Duncan | G Major | 5 | 9B | 135 BPM | ||
| Willow Weep for Me | Les & Larry Elgart | A♭ Major | 3 | 4B | 124 BPM | ||
| The Westminster Waltz | Russ Conway | D Major | 6 | 10B | 94 BPM |