"Goyescas: Intermezzo" by Enrique Granados, Mstislav Rostropovich had its release date on March 31, 2001. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mstislav Rostropovich's "Mstislav Rostropovich: The First Russian Recordings" album is number 6 out of 12. Based on our statistics, Goyescas: Intermezzo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Goyescas: Intermezzo by Enrique Granados, Mstislav Rostropovich to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| 5 Romances: Romance No. 2 'Dusk' | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
| Fantasia Para Un Gentilhombre For Guitar And Orchestra: II. | Andrés Segovia | G Major | 1 | 9B | 110 BPM | ||
| Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | ||
| Mandolin Concerto in C Major, RV 425: II. Largo | Antonio Vivaldi, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown | G Major | 2 | 9B | 114 BPM | ||
| Nocturnes, Op. 27: No. 2 in D-Flat Major, 'Lento sostenuto' | Frédéric Chopin, James Rhodes | D♭ Major | 0 | 3B | 71 BPM | ||
| Falla / Arr. Llobet & Pujol: 7 Canciones populares españolas: No. 5, Nana | Thibaut García, Edgar Moreau | A Minor | 0 | 8A | 50 BPM | ||
| 6 Variations on "Hélas, j'ai perdu mon amant", K. 360 (Arr. for Flute & Harp by Anonymous): Var. 3 | Wolfgang Amadeus Mozart, Julien Beaudiment, Anaïs Gaudemard | G Minor | 0 | 6A | 138 BPM | ||
| 3 Compositions for Violin and Piano, Op. 40: No. 2, Berceuse, Op. 40: No. 2, Berceuse | Amy Beach, Alessandro Clerici, Elena Brunello | D Major | 0 | 10B | 73 BPM | ||
| Recuerdos de la Alhambra : Recuerdos de la Alhambra | Norbert Kraft | A Major | 1 | 11B | 75 BPM | ||
| Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Leif Ove Andsnes, Christian Tetzlaff, Tanja Tetzlaff | D Minor | 0 | 7A | 84 BPM | ||
| Suite antique (Version for Guitar) [Excerpts]: I. Prélude | John Rutter, Graham Anthony Devine | A Minor | 0 | 8A | 119 BPM | ||
| Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM | ||
| In Silver Light | Gerard Cousins | G Major | 1 | 9B | 115 BPM | ||
| Minimal Etude No. 2 | Gerard Cousins | G Major | 1 | 9B | 115 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Arpeggione Sonata in A Minor, D. 821: II. Adagio (Transcr. Ottensamer for Clarinet and Piano) | Franz Schubert, Andreas Ottensamer, José Gallardo | F♯ Major | 0 | 2B | 69 BPM | ||
| Les cyclopes, RCT 3/8 (Arr. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | G Major | 1 | 9B | 106 BPM | ||
| Harpsichord Sonata No. 73: Allegro in D Major (arr. for Harp) | Antonio Soler, Godelieve Schrama | A Major | 1 | 11B | 94 BPM | ||
| Nocturne No. 4 in A Major, H. 36 | John Field, Benjamin Frith | A Major | 1 | 11B | 183 BPM | ||
| Granados: 12 Danzas españolas: No. 5, Andaluza | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Thomas Dunford | B Major | 0 | 1B | 83 BPM | ||
| Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM |