Tomotaka Okamoto's ' "ベベンの方丈記 - 高知バージョン" was released on its scheduled release date, March 3, 2021. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. ベベンの方丈記 - 高知バージョン's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "NHKにほんごであそぼ「名歌づくし」〜きれいは…ドゥーララ〜 (ボーナス・トラック・バージョン)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. The popularity of ベベンの方丈記 - 高知バージョン is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With ベベンの方丈記 - 高知バージョン by Tomotaka Okamoto having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| タイスの瞑想曲 | Jules Massenet, チー・ユン, 江口 玲 | E Minor | 1 | 9A | 70 BPM | ||
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
| リュートのための古風な舞曲とアリア 第3組曲 第3曲:シチリアーナ | Fumiaki Miyamoto, オーケストラMAP'S | A♭ Minor | 5 | 1A | 135 BPM | ||
| グノーのアベマリア | グノー, Karoly Kovacs | F Major | 0 | 7B | 70 BPM | ||
| I Dreamed A Dream | Seiko Niizuma | E♭ Major | 2 | 5B | 80 BPM | ||
| エルガー: 朝の歌 作品15-2 | 大河内涼子 | D Minor | 2 | 7A | 108 BPM | ||
| , : 旅立ちの日に | Japan Maritime Self-Defense Force Band,Tokyo, Yukari Miyake, 手塚裕之 | C Major | 2 | 8B | 82 BPM | ||
| Sebben, crudele | Antonio Caldara, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| タイム・トゥ・セイ・グッバイ | フランチェスコ・サルトリ, Japan Maritime Self-Defense Force Band,Tokyo, Yukari Miyake, Kazuhiko Kawabe | G Major | 3 | 9B | 62 BPM | ||
| 名も知らぬ花のように | Yae | C Major | 2 | 8B | 76 BPM | ||
| マスカレード・ホテル 〜エンドタイトル〜 | Naoki Sato | F Major | 5 | 7B | 180 BPM | ||
| サラバンド | George Frideric Handel, 伊藤悠貴 | G Major | 1 | 9B | 88 BPM | ||
| 夕陽ケ丘 | 髙見 優/長岡 成貢 | F Major | 2 | 7B | 133 BPM | ||
| エルガー:愛の挨拶 | 髙橋宗芳, 丹 千尋 | E Major | 2 | 12B | 114 BPM | ||
| WITH ONE WISH | Taro Hakase, NH&K TRIO | D♭ Major | 2 | 3B | 145 BPM | ||
| 水百景 | Ikuko Kawai | A Major | 4 | 11B | 89 BPM | ||
| 希望の歌~交響曲第九番~ | Norimasa Fujisawa | A♭ Major | 9 | 4B | 128 BPM | ||
| あなたの行く朝 | Tokiko Kato | F Major | 1 | 7B | 104 BPM | ||
| チゴイネルワイゼン | Pablo de Sarasate, Ida Haendel, アルフレード・ホレチェク | C Minor | 2 | 5A | 105 BPM | ||
| アヴェ・マリア(千住真理子・山洞 智編) | ヴラディーミル・ヴァヴィロフ(伝:ジュリオ・カッチーニ), Mariko Senju, 山洞 智 | F Minor | 0 | 4A | 88 BPM | ||
| Va core | Alessandro Safina | G Major | 3 | 9B | 153 BPM | ||
| Pur dicesti, o bocca bella | Antonio Lotti, Holly Bewlay, Sarah Rhee | E Major | 1 | 12B | 81 BPM | ||
| 愛しみのワルツ | 古澤巖 | E Minor | 3 | 9A | 179 BPM | ||
| マルチェッロ: オーボエ協奏曲 ニ短調 〜第2楽章 (ベニスの愛) | Alessandro Marcello, ハンスイェルク・シェレンベルガー, I Solisti Italiani | D Minor | 2 | 7A | 61 BPM | ||
| Forse non fu | Igor Krutoy, Anna Netrebko, William Ross, Session Orchestra Los Angeles | G Major | 6 | 9B | 135 BPM |