"Candide, Act I (Remastered): It Must be So - 2017 Remastered Version" by Leonard Bernstein, Robert Rounseville, Candide Orchestra, Samuel Krachmalnick had its release date on January 19, 2018. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 16 in Candide (Original Broadway Cast Recording) by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Candide, Act I (Remastered): It Must be So - 2017 Remastered Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide, Act I (Remastered): It Must be So - 2017 Remastered Version by Leonard Bernstein, Robert Rounseville, Candide Orchestra, Samuel Krachmalnick is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Largamente assai | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 146 BPM | ||
| Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nuremberg Symphony Orchestra | C Major | 9 | 8B | 85 BPM | ||
| Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM | ||
| Symphony No. 98 in B-Flat Major, Hob. I:98: II. Adagio | Joseph Haydn, New York Philharmonic, Leonard Bernstein | F Major | 1 | 7B | 123 BPM | ||
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
| Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
| Violin Concerto, Op. 14: I. Allegro | Samuel Barber, Isaac Stern, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 95 BPM | ||
| Symphony No. 35 in D Major, K. 385 "Haffner": I. Allegro con spirito - Live | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | D Major | 2 | 10B | 143 BPM | ||
| Carmen Suite No. 1: Séguedille. Allegretto (Act I) - 2017 Remastered Version | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 94 BPM | ||
| The Firebird Suite (1919 Version): VII. Finale | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | D♭ Minor | 2 | 12A | 73 BPM | ||
| Peter and the Wolf, Op. 67: Moderato - Poco più mosso - Sostenuto - Poco più mosso | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | G Major | 1 | 9B | 114 BPM | ||
| Piano Concerto No. 3 in C Minor, Op. 37: II. Largo - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | E Major | 0 | 12B | 108 BPM | ||
| Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
| Symphony in D Minor, FWV 48: III. Allegro non troppo | César Franck, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 86 BPM | ||
| Divertimento: II. Waltz. Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 7 | 7A | 148 BPM | ||
| Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, The Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
| La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
| Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 89 BPM | ||
| Symphony No. 40 in G Minor, K. 550 (1st Version, No Clarinets): I. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | B Major | 0 | 1B | 94 BPM | ||
| Peter and the Wolf, Op. 67: L'istesso tempo - Più mosso | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| 4 Dance Episodes from Rodeo: IV. Hoe Down | Aaron Copland, Leonard Bernstein, New York Philharmonic | D Major | 5 | 10B | 134 BPM | ||
| Japanese Suite, Op. 33, H. 126: VI. Finale. Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM |