The Four Freshmen's 'In The Whole Wide World' had a release date set for January 1, 1950. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. In The Whole Wide World's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 20 in Blue World by The Four Freshmen. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In The Whole Wide World is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In The Whole Wide World by The Four Freshmen is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In The Whole Wide World | The Four Freshmen | C Minor | 2 | 5A | 80 BPM | ||
| Opus One | Tommy Dorsey | C Minor | 5 | 5A | 170 BPM | ||
| Blue And Sentimental - 1947 Version | Nat King Cole Trio | A♭ Major | 0 | 4B | 130 BPM | ||
| They Can't Take That Away From Me | Margaret Whiting | C Minor | 2 | 5A | 125 BPM | ||
| Prisoner Of Love | The Platters | C Minor | 2 | 5A | 75 BPM | ||
| It Might As Well Be Spring | Blossom Dearie | F♯ Major | 0 | 2B | 117 BPM | ||
| Smoke Gets In Your Eyes | Dinah Washington | A♭ Major | 3 | 4B | 84 BPM | ||
| Can’t Understand | Johnny Amoroso | G Minor | 4 | 6A | 181 BPM | ||
| Day Into Night | The Bean Tones | D Minor | 3 | 7A | 96 BPM | ||
| Tea For Two | Blossom Dearie | B♭ Minor | 0 | 3A | 100 BPM | ||
| Tenderly | Billie Holiday | G Major | 1 | 9B | 79 BPM | ||
| Manteca | Dizzy Gillespie | F Minor | 8 | 4A | 173 BPM | ||
| (Fly Me To The Moon) In Other Words | Anita O'Day, The Three Sounds | G Minor | 1 | 6A | 121 BPM | ||
| Moonlight Serenade | The Modernaires | E Minor | 2 | 9A | 166 BPM | ||
| Love Is a Many-Splendored Thing | The Four Aces | A♭ Major | 1 | 4B | 72 BPM | ||
| I'll Never Smile Again (feat. The Tommy Dorsey Orchestra) | Barry Manilow, Tommy Dorsey Orchestra | C Major | 1 | 8B | 75 BPM | ||
| Someday My Prince Will Come | Etta Jones | C Minor | 3 | 5A | 134 BPM | ||
| Cottage for Sale (12) | Chris Connor | F Major | 0 | 7B | 113 BPM | ||
| Tonight You Belong to Me | Patience & Prudence, Mark McIntyre Orchestra | A♭ Major | 1 | 4B | 72 BPM | ||
| It Conquered the World | Sheldon Allman | B♭ Major | 3 | 6B | 126 BPM | ||
| I Got It Bad And That Ain't Good | Oscar Peterson Trio | F Major | 1 | 7B | 50 BPM | ||
| I've Got The World On A String | Nat King Cole Trio | D♭ Major | 1 | 3B | 74 BPM | ||
| I'm Through With Love | Arthur Prysock | E♭ Major | 0 | 5B | 112 BPM | ||
| In the Moon Mist | The Pied Pipers | A♭ Major | 1 | 4B | 75 BPM | ||
| My Funny Valentine | Jackie Gleason | D Minor | 3 | 7A | 109 BPM |