"Atlas - Part 1: Personal Climate: Home Scene" by Meredith Monk, Wendy Hill, Thomas Bogdan, Wayne Hankin had its release date on May 1, 1993. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Atlas - Part 1: Personal Climate: Home Scene's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 25 in ATLAS - An Opera In Three Parts by Meredith Monk. Based on our statistics, Atlas - Part 1: Personal Climate: Home Scene's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Atlas - Part 1: Personal Climate: Home Scene by Meredith Monk, Wendy Hill, Thomas Bogdan, Wayne Hankin is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scene 5 | Michael Galasso | A Minor | 3 | 8A | 66 BPM | ||
| Patina | Martyn Heyne | B Minor | 0 | 10A | 88 BPM | ||
| Model 2 | Karlheinz Stockhausen, Electric Phoenix | E Minor | 0 | 9A | 87 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | A♭ Minor | 1 | 1A | 51 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Buoy | Koki Nakano | B♭ Minor | 1 | 3A | 150 BPM | ||
| The Ships | Julia Kent | F Major | 0 | 7B | 89 BPM | ||
| Praeludium | Anja Lechner, François Couturier | C Minor | 0 | 5A | 111 BPM | ||
| Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi, Waltraut Wächter, Andreas Hartmann, MDR Leipzig Radio Symphony Orchestra | F Major | 3 | 7B | 124 BPM | ||
| Ryuichi Sakamoto: 20220302 | Helena Basilova | C Minor | 1 | 5A | 108 BPM | ||
| Deep Cave | Ernst Reijseger | C Major | 2 | 8B | 83 BPM | ||
| Pretty In Plums | Shida Shahabi | A♭ Minor | 3 | 1A | 77 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Scene 1 | Michael Galasso | A Minor | 2 | 8A | 117 BPM | ||
| Early Morning Melody (Transcr. Parkin for Soprano Saxophone) | Meredith Monk, Jess Gillam | G Minor | 0 | 6A | 72 BPM | ||
| Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
| Dark/Light 1 | Meredith Monk | F Minor | 0 | 4A | 86 BPM | ||
| Night White | Erik Friedlander | G Major | 1 | 9B | 77 BPM | ||
| In a Landscape | John Cage, Herbert Henck | D Minor | 0 | 7A | 66 BPM | ||
| Eva's Song | Meredith Monk | B Minor | 0 | 10A | 63 BPM | ||
| Secreto | Federico Mompou, Anja Lechner, François Couturier | D♭ Major | 0 | 3B | 145 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| 7 Papillons: No. 2, — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 85 BPM | ||
| Some Bright Morning | Albert Brumley, Caroline Shaw, Sō Percussion | A♭ Major | 2 | 4B | 96 BPM | ||
| Pastoral II - 2000 Remaster | Moondog | C Major | 2 | 8B | 140 BPM |