"Scene 5" by Michael Galasso had its release date on April 1, 1983. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Scenes". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Scene 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scene 5 by Michael Galasso having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aspro | Ted Regklis | C Minor | 1 | 5A | 122 BPM | ||
| Zurich | Jóhann Jóhannsson, Echo Collective | E Minor | 2 | 9A | 130 BPM | ||
| Solo Hicaz Taksim | Emre Atay | C Major | 0 | 8B | 79 BPM | ||
| Cross | Ted Regklis | C Minor | 1 | 5A | 122 BPM | ||
| Bark'n'bass at Montparnasse | VITMAY | C Minor | 1 | 5A | 122 BPM | ||
| Theme of Hope - Studying Physics | Johanni Curtet | A Minor | 3 | 8A | 134 BPM | ||
| Lost Forever | Tony Njoku | G Minor | 3 | 6A | 114 BPM | ||
| Symphony No. 3 - Movement III | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | F Major | 1 | 7B | 105 BPM | ||
| Juxta Crucem | Andreas Scholl, Marco Rosano | C Minor | 1 | 5A | 88 BPM | ||
| La lettre d'un disparu | Evgueni Galperine | F♯ Major | 2 | 2B | 109 BPM | ||
| Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM | ||
| China Gates | John Adams, Anthony Romaniuk | B Minor | 7 | 10A | 115 BPM | ||
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| Almost Home | Kaitlyn Raitz | C Minor | 1 | 5A | 122 BPM | ||
| A Una Rosa | Traditional, Ernst Reijseger, Mola Sylla, Tenore e Cuncordu de Orosei | G Major | 4 | 9B | 79 BPM | ||
| Hammers | Nils Frahm, Remy Van Kesteren | F♯ Major | 1 | 2B | 73 BPM | ||
| Aux confins | Gaspar Claus | D Minor | 2 | 7A | 130 BPM | ||
| Pol | Jóhann Jóhannsson, Echo Collective | E Minor | 1 | 9A | 93 BPM | ||
| Last Day | Dom La Nena | D Minor | 1 | 7A | 125 BPM | ||
| Swan Pond | Michael Galasso | B♭ Major | 3 | 6B | 147 BPM | ||
| The Broken Forest | Laura Cannell | C Minor | 1 | 5A | 122 BPM | ||
| Scene 9 | Michael Galasso | G Minor | 2 | 6A | 79 BPM | ||
| Low Land | Shida Shahabi | A Major | 1 | 11B | 125 BPM | ||
| The Mystery of Heaven (Long Version) | Jozef Van Wissem and Jim Jarmusch, Jozef Van Wissem, Jim Jarmusch | A♭ Minor | 4 | 1A | 70 BPM | ||
| Daimonas | Ted Regklis | C Minor | 1 | 5A | 122 BPM |