"Juxta Crucem" by Andreas Scholl, Marco Rosano had its release date on December 17, 2010. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Juxta Crucem's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andreas Scholl's "Marco Rosano: Stabat Mater" album is number 8 out of 13. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Juxta Crucem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Juxta Crucem by Andreas Scholl, Marco Rosano to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parce Mihi Domine - Var. 2 | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 1 | 6B | 80 BPM | ||
| I lie | David Lang, Ars Nova Copenhagen, Paul Hillier | D♭ Major | 0 | 3B | 143 BPM | ||
| Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. Erbarme dich (Alto) | Johann Sebastian Bach, Magdalena Kožená, Musica Florea, Marek Stryncl | D♭ Major | 2 | 3B | 120 BPM | ||
| Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 3 | 10B | 75 BPM | ||
| Tallis: Spem in Alium - 1. Spem in Alium | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 138 BPM | ||
| Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
| Petite messe solennelle: III. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | A♭ Major | 1 | 4B | 121 BPM | ||
| How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | E♭ Major | 1 | 5B | 135 BPM | ||
| Me, me, and none but me | John Dowland, Andreas Scholl, Andreas Martin | E Major | 1 | 12B | 73 BPM | ||
| Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
| World To Come, Pt. 4 | David Lang, Maya Beiser | D Minor | 1 | 7A | 74 BPM | ||
| Nisi Dominus (Psalm 126), R.608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | D♭ Major | 0 | 3B | 75 BPM | ||
| Radiohead: Like Spinning Plates | Anastasia Kobekina, Jean-Sélim Abdelmoula | D♭ Minor | 0 | 12A | 77 BPM | ||
| Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | ||
| Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
| Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
| Anima - O nos peregrine sumus | Hildegard von Bingen, Romain Dayez, Jean-Paul Dessy | A Major | 0 | 11B | 139 BPM | ||
| Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | ||
| Underdown Aperture | Thomas Otten | C Minor | 1 | 5A | 80 BPM | ||
| Cum Dederit | Armand Amar, Sandrine Piau | A Minor | 1 | 8A | 136 BPM | ||
| Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa | Antonio Vivaldi, Philippe Jaroussky, Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
| Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
| Rodelinda, HWV 19, Atto I Scena 6: Aria "Dove sei?" | George Frideric Handel, Andreas Scholl, Akademie für Alte Musik Berlin | E♭ Major | 1 | 5B | 70 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM |