"Rodelinda, HWV 19, Atto I Scena 6: Aria "Dove sei?"" by George Frideric Handel, Andreas Scholl, Akademie für Alte Musik Berlin had its release date on March 9, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl's "Handel: Ombra mai fu" album is number 16 out of 24. On top of that, France appears to be the country where this track was created. Rodelinda, HWV 19, Atto I Scena 6: Aria "Dove sei?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rodelinda, HWV 19, Atto I Scena 6: Aria "Dove sei?" by George Frideric Handel, Andreas Scholl, Akademie für Alte Musik Berlin to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
| Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
| "If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
| Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
| Clarae stellae, scintillate, in F major, RV625: 4. Alleluia (Allegro) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Major | 1 | 1B | 139 BPM | ||
| Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 1. Chor. Magnificat anima mea Dominum | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 135 BPM | ||
| Handel: Serse, HWV 40 / Act 1: "Ombra mai fu" | Franco Fagioli, Il Pomo D'oro, Zefira Valova | E Major | 2 | 12B | 152 BPM | ||
| Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
| Siroe: "Fra l'orror della tempesta" | Johann Adolf Hasse, Riccardo Minasi, Il Pomo D'oro, Franco Fagioli | D♭ Major | 5 | 3B | 131 BPM | ||
| Fac Me Cruce | Andreas Scholl, Marco Rosano | B Minor | 0 | 10A | 90 BPM | ||
| Rinaldo / Act 1: Duetto: Scherzano sul tuo volto | George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 107 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Thomas Shadwell, Aradia Ensemble, Rosemarie van der Hooft, Gillian Keith, Meredith Hall, Nils Brown, Michael Colvin, Brett Polegato, Paul Grindlay, John Dryden, Henry Purcell | C Major | 2 | 8B | 175 BPM | ||
| Troisième Leçon de Ténèbres | François Couperin, Jordi Savall | A Minor | 0 | 8A | 209 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
| Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
| Rinaldo, HWV 7, Act II Scene 4: Lascia Ch'io Pianga (Let me Lament) | Camerata De Budapest, Ingrid Kertesi, George Frideric Handel | F Major | 1 | 7B | 172 BPM | ||
| Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre) | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | D Major | 0 | 10B | 93 BPM | ||
| Requiem, Introitus: Requiem æternam | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Schola Gregoriana Ghislieri, Renato Cadel | E♭ Major | 0 | 5B | 114 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
| Ode for the Birthday of Queen Anne (Eternal source of light divine): 1. Eternal source of light divine | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Stephen Cleobury, Susan Gritton, Alastair Ross, Daniel Hyde, Robin Blaze, Pavlo Beznosiuk, Michael George | D♭ Major | 1 | 3B | 172 BPM | ||
| Pergolesi: Stabat Mater: IX. Sancta Mater, istud agas | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 136 BPM | ||
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
| Il Trionfo del Tiempo e del Disinganno, HWV 46a: "Lascia la spina cogli la rosa" | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | E Major | 1 | 12B | 180 BPM | ||
| Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Pregardien, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM |