"Fac Me Cruce" by Andreas Scholl, Marco Rosano had its release date on December 17, 2010. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Andreas Scholl's "Marco Rosano: Stabat Mater" album is number 12 out of 13. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, Fac Me Cruce is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fac Me Cruce by Andreas Scholl, Marco Rosano to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
| L'incoronazione di Poppea, SV 308: Pur ti miro - Arr. for Voice & Piano | Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent, Chantal Santon Jeffery | G Major | 2 | 9B | 69 BPM | ||
| Herz und Mund und Tat und Leben | Ensemble Contraste | G Major | 2 | 9B | 78 BPM | ||
| Sam | Douglas Balliett, Reginald Mobley, Brandon J. Acker | A♭ Major | 0 | 4B | 66 BPM | ||
| Porpora: Polifemo, HelN 31, Act 3: "Alto Giove" (Aci) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E♭ Minor | 0 | 2A | 78 BPM | ||
| Polifemo: Alto Giove | Nicola Porpora, Simone Kermes, La Magnifica Comunità | E Minor | 0 | 9A | 73 BPM | ||
| Polifemo, HelN 31: Alto Giove - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 71 BPM | ||
| Rodelinda, HWV 19, Atto I Scena 6: Aria "Dove sei?" | George Frideric Handel, Andreas Scholl, Akademie für Alte Musik Berlin | E♭ Major | 1 | 5B | 70 BPM | ||
| Pergolesi: Stabat Mater: V. Quis est homo | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | B Minor | 1 | 10A | 114 BPM | ||
| Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
| Saintly Love | Georgy Sviridov, St. Petersburg Optina Pustyn Male Choir | F Major | 1 | 7B | 72 BPM | ||
| María Santísima de Araceli | Alberto Iglesias | A Minor | 1 | 8A | 136 BPM | ||
| Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
| Underdown Aperture | Thomas Otten | C Minor | 1 | 5A | 80 BPM | ||
| Chanson russe | Igor Stravinsky, Pierre Fournier, Ernest Lush | F Minor | 0 | 4A | 130 BPM | ||
| Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Major | 1 | 2B | 63 BPM | ||
| L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
| Come, heavy sleep | John Dowland, Concerto di Viole, Julian Behr, Andreas Scholl | E Major | 1 | 12B | 126 BPM | ||
| Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | ||
| Stabat Mater: 12. Quando corpus - Amen | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 173 BPM | ||
| Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
| Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 3 | 10B | 75 BPM | ||
| Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
| Le Badinage - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Jordi Savall | F Minor | 0 | 4A | 96 BPM |